

1974·Comedy·1h 23m
6.7
★

















A group of scientists are sent on a mission to destroy unstable planets. Twenty years into their mission, they have to battle their alien mascot as well as a "sensitive" and intelligent bombing device that starts to question the meaning of its existence.
Directed by John Carpenter
future
artificial intelligence (a.i.)
boredom
space travel
destruction of planet
anarchic comedy
metrocolor

Trailer

IMDB
N/A
Where to Watch



Cast

Brian Narelle
Lt. Doolittle

Cal Kuniholm
Boiler

Dan O'Bannon
Sgt. Pinback alias Bill Fruge

Nick Castle
Alien

John Carpenter
Talby Voice

Miles Watkins
Watkins - Mission Control
Crew

John Carpenter
Director

John Carpenter
Screenplay

Dan O'Bannon
Screenplay

John Carpenter
Original Music Composer

Dan O'Bannon
Editor

Douglas Knapp
Director of Photography

John Carpenter
Producer

Dan O'Bannon
Special Effects

Ron Cobb
Special Effects

Nick Castle
Assistant Camera

Dan O'Bannon
Production Design

Dan O'Bannon
Original Story
Popular Reviews
168 reviews
danny
3.7★ · 12/19/23


disappointed, but respect o'bannon and carpenter for trying to make this work!!! beach ball alien my beloved 😁
disappointed, but respect o'bannon and carpenter for trying to make this work!!! beach ball alien my beloved 😁
Evan
6.0★ · 04/20/26

I respect what this is for how it was made but my god is that alien terrible. Dark star is a low budget masterpiece that knows what it is and delivers. John carpenter is one of my favourite directors and even all the way back in his career with a low budget his style is still apparent. Was worried this would be my first miss with a carpenter film but I actually quite enjoyed this.
I respect what this is for how it was made but my god is that alien terrible. Dark star is a low budget masterpiece that knows what it is and delivers. John carpenter is one of my favourite directors and even all the way back in his career with a low budget his style is still apparent. Was worried this would be my first miss with a carpenter film but I actually quite enjoyed this.
Clay Pasco
5.0★ · 04/06/26

Early John Carpenter that obviously is some sort of extra funded student film. It’s got some fun moments and dialogue, but boy is it rough in a lot of areas.
This set design feels like something I could make using materials in my house. Additionally, the audio sounds like it was recorded on a potato chip.
For a first feature film, it’s not a bad start.
Entry #1 in the John Carpenter Marathon.
This set design feels like something I could make using materials in my house. Additionally, the audio sounds like it was recorded on a potato chip.
For a first feature film, it’s not a bad start.
Entry #1 in the John Carpenter Marathon.
Early John Carpenter that obviously is some sort of extra funded student film. It’s got some fun moments and dialogue, but boy is it rough in a lot of areas.
This set design feels like something I could make using materials in my house. Additionally, the audio sounds like it was recorded on a potato chip.
For a first feature film, it’s not a bad start.
Entry #1 in the John Carpenter Marathon.
This set design feels like something I could make using materials in my house. Additionally, the audio sounds like it was recorded on a potato chip.
For a first feature film, it’s not a bad start.
Entry #1 in the John Carpenter Marathon.
Wyatt
5.0★ · 04/04/26

Spaced out odyssey, indeed. Kinda funny, kinda old, kinda charming.
Spaced out odyssey, indeed. Kinda funny, kinda old, kinda charming.
SomeGuyNamedGuy
7.0★ · 03/26/26

A very cerebral score mixed with beautifully out there visuals all for an unfortunately strung out plot. Perhaps the anecdotal nature of the scenes is intended for the satire regarding the lack of change in innovation, however I would’ve liked to see a more core prescient conflict outside of the obvious loneliness of space. The characters are defined well and quickly, opening scenes preceding the title card paint a picture strong enough to outshine the rest of the film entirely. The truth is, for a majority of this film the most interest is going to come from the visuals despite a promising introduction to the characters early on. Tonal whiplash underlines this film in a way I can’t make heads or tails of, I can love a scene such as Pinback’s diary or any time on the bridge, but other times when this duality isn’t kept in check it feels rather dull.
A very cerebral score mixed with beautifully out there visuals all for an unfortunately strung out plot. Perhaps the anecdotal nature of the scenes is intended for the satire regarding the lack of change in innovation, however I would’ve liked to see a more core prescient conflict outside of the obvious loneliness of space. The characters are defined well and quickly, opening scenes preceding the title card paint a picture strong enough to outshine the rest of the film entirely. The truth is, for a majority of this film the most interest is going to come from the visuals despite a promising introduction to the characters early on. Tonal whiplash underlines this film in a way I can’t make heads or tails of, I can love a scene such as Pinback’s diary or any time on the bridge, but other times when this duality isn’t kept in check it feels rather dull.