Drinking and Driving backdrop

Drinking and Driving

2026·Drama·1h 45m
7.1
Early twenties Iris and Palmer never left their hometown. They work at the same restaurant, share the same bed, and both have a habit of drinking and driving. They run into Levi, a guy they used to know. They spend time with him and his cousin, Phoenix, in cars, backyards, and other people’s bedrooms. When Levi shares a dream he had with Iris things change between the four of them. The reality of the summer becomes faded, the parties die. The four end in a field of unified confusion.
Directed by Jillian Frank and Avalon Fast
independent film

Cast

Payton Berg
Payton Berg
Hailey
Henri Gillespi
Henri Gillespi
Phoenix
Jillian Frank
Jillian Frank
Iris
Avalon Fast
Avalon Fast
Palmer

Crew

Jillian Frank
Jillian Frank
Director
Avalon Fast
Avalon Fast
Director
Jillian Frank
Jillian Frank
Writer
Avalon Fast
Avalon Fast
Writer
Avalon Fast
Avalon Fast
Editor
Jillian Frank
Jillian Frank
Editor
Jacob Glickman
Jacob Glickman
Director of Photography
Avalon Fast
Avalon Fast
Producer
Jillian Frank
Jillian Frank
Producer
Jacob Glickman
Jacob Glickman
Producer
Henri Gillespi
Henri Gillespi
Producer
Sophie Bawks-Smith
Sophie Bawks-Smith
Assistant Director

Popular Reviews

1 review
jrrrdan
jrrrdan
Drinking and Driving
Brunswick Underground Film Festival #15

I had no idea what to expect from Drinking and Driving but besides my dear Shortbus, it became my favourite film of the entire festival. It’s hard to put the feelings to words but I just got it, start to finish I was all in, completely lost in the digital grain in which they wander through. I could hang out with them in bisexual purgatory forever, listening to trap remixes of The Glow, Pt. 2, and day-drinking.

The film captures the feeling of emptiness that you can only get at a party surrounded by your friends. I was brought to tears multiple times, which again, is not something I thought a film featuring trap remixes of The Glow, Pt. 2 could do. The final sequence set to A Quick One Before the Eternal Worm Devours Connecticut by Have A Nice Life genuinely had be transcending in the cinema, tears streaming down my face. This film just masters the needle-drop in elevating the time and place that you’re representing. 2016, Canada. Time capsule films are something I’m particularly drawn to, with the likes of Spring Breakers, fuck it, basically all of Harmony Korine’s filmography too. Authentically capturing a group of people and their setting, navigating the tree-lined gravel roads with your thong exposed.

I can’t wait for people to see this film, hopefully it connects with you all like it did me. Now, time to day-drink at 12PM. I’m serious. Goodbye.
Brunswick Underground Film Festival #15

I had no idea what to expect from Drinking and Driving but besides my dear Shortbus, it became my favourite film of the entire festival. It’s hard to put the feelings to words but I just got it, start to finish I was all in, completely lost in the digital grain in which they wander through. I could hang out with them in bisexual purgatory forever, listening to trap remixes of The Glow, Pt. 2, and day-drinking.

The film captures the feeling of emptiness that you can only get at a party surrounded by your friends. I was brought to tears multiple times, which again, is not something I thought a film featuring trap remixes of The Glow, Pt. 2 could do. The final sequence set to A Quick One Before the Eternal Worm Devours Connecticut by Have A Nice Life genuinely had be transcending in the cinema, tears streaming down my face. This film just masters the needle-drop in elevating the time and place that you’re representing. 2016, Canada. Time capsule films are something I’m particularly drawn to, with the likes of Spring Breakers, fuck it, basically all of Harmony Korine’s filmography too. Authentically capturing a group of people and their setting, navigating the tree-lined gravel roads with your thong exposed.

I can’t wait for people to see this film, hopefully it connects with you all like it did me. Now, time to day-drink at 12PM. I’m serious. Goodbye.
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