Leaning hard into chaos, it ends up feeling more unhinged than effective at times, and the strange censorship choices (except for the horse scene) only make it feel even more off. This may not be the most suitable entry point for exploring Hisayasu Satō's filmography. However, it gets a bit serious towards the end, which makes the final part feel heavier.
Leaning hard into chaos, it ends up feeling more unhinged than effective at times, and the strange censorship choices (except for the horse scene) only make it feel even more off. This may not be the most suitable entry point for exploring Hisayasu Satō's filmography. However, it gets a bit serious towards the end, which makes the final part feel heavier.