

2026·Drama·1h 54m
7.1
★






After relocating with her family to the countryside, a renowned pianist uncovers a life-shattering truth that forces her to confront the complexities of love, trust, and deception.
Directed by Marie Kreutzer
countryside
relocation
pedophile
pornographer
female pianist
panic attack
based on magazine, newspaper or article

IMDB
N/A
Cast

Léa Seydoux
Lucy Weiss

Catherine Deneuve
Eryn

Jella Haase
Elsa Kühn

Laurence Rupp
Philip Weiss

Sylvester Groth
Hermann Kühn

Katharina Lorenz
Maike

Regina Fritsch
Inge Weiss

Raphael Nicholas
Hr. Engel

Anton Rubtsov
Arian

Nils Strunk
Lukas

Rainer Doppler
Volker Weiss
Crew

Marie Kreutzer
Director

Marie Kreutzer
Writer

Camille
Original Music Composer

Judith Kaufmann
Director of Photography

Jean-Christophe Reymond
Co-Producer

Timo Argillander
Executive Producer

Andrea Scarso
Executive Producer

Nathanaël Karmitz
Executive Producer

Rita Waszilovics
Casting Director
Popular Reviews
8 reviews
Suse CPRO
5.0★ · 06/08/26

There were a few interesting moments for thought that were shut down so quickly there was really no room to consider anything but the ultimate conclusion. It made me wonder what we were doing it for? There doesn’t always need to be a why but when the subject matter is this dark I do feel like there should be at least some kind of point to it. I can think of one specific group of people who might feel sensitively seen by this film and I find it very hard to believe they are going to go seek this out.
Credit where credit is due: I was not bored, Lea Seydoux is incredible as always, and thankfully they succeeded in having a horrible topic without making you watch the horrible thing (a lesson lots of filmmakers should learn imo).
Felt like it should have been a mini series of they really wanted to say something. And of course in that case I wouldn’t have finished it but my parents would have.
Credit where credit is due: I was not bored, Lea Seydoux is incredible as always, and thankfully they succeeded in having a horrible topic without making you watch the horrible thing (a lesson lots of filmmakers should learn imo).
Felt like it should have been a mini series of they really wanted to say something. And of course in that case I wouldn’t have finished it but my parents would have.
There were a few interesting moments for thought that were shut down so quickly there was really no room to consider anything but the ultimate conclusion. It made me wonder what we were doing it for? There doesn’t always need to be a why but when the subject matter is this dark I do feel like there should be at least some kind of point to it. I can think of one specific group of people who might feel sensitively seen by this film and I find it very hard to believe they are going to go seek this out.
Credit where credit is due: I was not bored, Lea Seydoux is incredible as always, and thankfully they succeeded in having a horrible topic without making you watch the horrible thing (a lesson lots of filmmakers should learn imo).
Felt like it should have been a mini series of they really wanted to say something. And of course in that case I wouldn’t have finished it but my parents would have.
Credit where credit is due: I was not bored, Lea Seydoux is incredible as always, and thankfully they succeeded in having a horrible topic without making you watch the horrible thing (a lesson lots of filmmakers should learn imo).
Felt like it should have been a mini series of they really wanted to say something. And of course in that case I wouldn’t have finished it but my parents would have.
Faivel27
6.0★ · 05/24/26

Ne laissez plus Léa Seydoux parler allemand
Ne laissez plus Léa Seydoux parler allemand
Colin
4.0★ · 05/16/26

Could’ve been everything </3
Could’ve been everything </3
even
8.0★ · 05/16/26

rien à voir avec les lunettes du coup
rien à voir avec les lunettes du coup
Billy Martindill
9.0★ · 05/16/26

Someone needs to find out who developed that film
Someone needs to find out who developed that film