Second to DEMONLOVER, BOARDING GATE or as one critic called it “…Olivier Assayas's self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller..."
It’s a whodunit by way of unclear conspiracy, betrayals, and espionage.
Second to DEMONLOVER, BOARDING GATE or as one critic called it “…Olivier Assayas's self-consciously hypermodern, meta-sleazy, English-French-Chinese-language globo-thriller..."
It’s a whodunit by way of unclear conspiracy, betrayals, and espionage.
