A call-out of hypocrisy in various aspects of puritancal society, it certainly has aged quite well. It's definitely an older feature and comparably limited in terms of filmmaking, but as always Lois Weber impresses by pushing the boundaries of content and form. The use of the moving camera and double exposures are notable for this era, and the controversial topics along with the depiction of "truth" as a nude woman holding a mirror certainly feel ahead of its time, if often times amusingly unsubtle in a good way. Weber's craft for filmmaking and pointed societal critique definitely shines most in the following year's Shoes, which I highly recommend.
A call-out of hypocrisy in various aspects of puritancal society, it certainly has aged quite well. It's definitely an older feature and comparably limited in terms of filmmaking, but as always Lois Weber impresses by pushing the boundaries of content and form. The use of the moving camera and double exposures are notable for this era, and the controversial topics along with the depiction of "truth" as a nude woman holding a mirror certainly feel ahead of its time, if often times amusingly unsubtle in a good way. Weber's craft for filmmaking and pointed societal critique definitely shines most in the following year's Shoes, which I highly recommend.