Kinda does too much and gets lost in its own overly complex, spiritually oriented bubble. It feels forceful yet strangely empty, constantly making you wonder if there’s something you’re missing but it never really rewards that curiosity.It dips its toes into existentialism, connection, and even architecture, yet comes off like a pretentious 17-year-old trying way too hard to make something “different.”Filmmakers like Terrence Malick lay that emotional foundation first, and the stuff that toys with your psyche comes later. This just jumps straight into abstraction without earning it.I love Synecdoche, New York, but this just feels weak by comparison.
Kinda does too much and gets lost in its own overly complex, spiritually oriented bubble. It feels forceful yet strangely empty, constantly making you wonder if there’s something you’re missing but it never really rewards that curiosity.It dips its toes into existentialism, connection, and even architecture, yet comes off like a pretentious 17-year-old trying way too hard to make something “different.”Filmmakers like Terrence Malick lay that emotional foundation first, and the stuff that toys with your psyche comes later. This just jumps straight into abstraction without earning it.I love Synecdoche, New York, but this just feels weak by comparison.
