Very interesting film, a bit rough around the edges but it has something to say and in some places reminds me of a David Lynch film. A highlight though of Japanese pink cinema in the 90s and boy does it have that 90s aesthetic.

Not one for puritanicals.

Very interesting film, a bit rough around the edges but it has something to say and in some places reminds me of a David Lynch film. A highlight though of Japanese pink cinema in the 90s and boy does it have that 90s aesthetic.

Not one for puritanicals.

After reading Almost Transparent Blue, nothing really surprises me from Ryū Murakami anymore. He is excellent at depicting Japanese society and its dark side, which is often ignored but certainly present. In Tokyo Decadence, we get Murakami’s essence in full: a haunting look at Ai’s life and her struggle to endure deeply unsettling circumstances. The story is erotic, disturbing, and sad, elevated even further by the score from Ryuichi Sakamoto.

After reading Almost Transparent Blue, nothing really surprises me from Ryū Murakami anymore. He is excellent at depicting Japanese society and its dark side, which is often ignored but certainly present. In Tokyo Decadence, we get Murakami’s essence in full: a haunting look at Ai’s life and her struggle to endure deeply unsettling circumstances. The story is erotic, disturbing, and sad, elevated even further by the score from Ryuichi Sakamoto.

The way this was shot is soo stunning

The way this was shot is soo stunning

7/10
not bad.
could have been nicer .

7/10
not bad.
could have been nicer .

gizomun annesı frr

gizomun annesı frr