Milk backdrop

Milk

1998·Drama·10m
7.0
Andrea Arnold’s directorial debut consists of a woman named Hetty that has a unique way of dealing with the unexpected death of her child.
Directed by Andrea Arnold
woman director
short film

Cast

Lynda Steadman
Lynda Steadman
Hetty
Stephen McGann
Stephen McGann
Ralph
Lee Oakes
Lee Oakes
Martin

Crew

Andrea Arnold
Andrea Arnold
Director
Andrea Arnold
Andrea Arnold
Writer

Popular Reviews

48 reviews
mariana
mariana
Milk
ella fue tan real x eso
ella fue tan real x eso
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vlad dracula
vlad dracula
Milk
I only blinked when did they manage to start doing that…
I only blinked when did they manage to start doing that…
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José
José
Milk
I've been trying to find this back since January iirc and I'm glad I finally did. I absolutely loved the way this short film looked. It was reminiscent of Love & Pop in that it had an old digital camera feel. And that ending was great!
I've been trying to find this back since January iirc and I'm glad I finally did. I absolutely loved the way this short film looked. It was reminiscent of Love & Pop in that it had an old digital camera feel. And that ending was great!
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djinni
Milk
keske tum fılmler boyle hızlı olsa 10dkda herseyı anlatsa adhdlı bır orospuym cunkuuu
keske tum fılmler boyle hızlı olsa 10dkda herseyı anlatsa adhdlı bır orospuym cunkuuu
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morisakist_
morisakist_
Milk
"you don't talk much, do you?" she asked.

"that's cause i keep it all in here," martin pointed his head with his index finger while he drove.

"i don't talk much... but i think a lot," he said.

"and i watch. i watch people," he continued.

i resonate a lot with martin's response because i know it's all in my head but i always have this limited language to speak with eloquence... or maybe i do have the language now, but never the confidence to be vulnerable around people. he was a guy along the way you never would've expected to be someone who brings comfort. but this comfort is so awkward on a personal level—something unusual even on a surface level.

a mother's mourning is another level of mourning. you face grief for a newly born child she didn't even get to say hello to. you face pain indecipherable to a man. you face routineless days with no apparent reason to have. it's a film that lualhati bautista would love to see and witness this film—a feminist for a feminist.

a gateway to a mother's life, i'd say.
"you don't talk much, do you?" she asked.

"that's cause i keep it all in here," martin pointed his head with his index finger while he drove.

"i don't talk much... but i think a lot," he said.

"and i watch. i watch people," he continued.

i resonate a lot with martin's response because i know it's all in my head but i always have this limited language to speak with eloquence... or maybe i do have the language now, but never the confidence to be vulnerable around people. he was a guy along the way you never would've expected to be someone who brings comfort. but this comfort is so awkward on a personal level—something unusual even on a surface level.

a mother's mourning is another level of mourning. you face grief for a newly born child she didn't even get to say hello to. you face pain indecipherable to a man. you face routineless days with no apparent reason to have. it's a film that lualhati bautista would love to see and witness this film—a feminist for a feminist.

a gateway to a mother's life, i'd say.
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