

1990·Comedy·1h 47m
7.1
★

During the events of May 1968 in France, different worldviews of conflicting relatives collide in their family estate.
Directed by Louis Malle
infidelity
france
free love
funeral
students' movement
province
picnic
commune
summer
inheritance fight
grave digger
may 68

Trailer

IMDB
N/A
Cast

Michel Piccoli
Milou

Miou-Miou
Camille

Michel Duchaussoy
Georges

Paulette Dubost
Madame Vieuzac

Harriet Walter
Lily

Bruno Carette
Grimaldi

Martine Gautier
Adèle

Jeanne Herry
Françoise

Renaud Danner
Pierre-Alain

François Berléand
Daniel

Dominique Blanc
Claire

Étienne Draber
Mr. Boutelleau
Crew

Louis Malle
Director

Jean-Claude Carrière
Screenplay

Louis Malle
Screenplay

Stéphane Grappelli
Original Music Composer

Renato Berta
Director of Photography

Louis Malle
Producer

Catherine Leterrier
Costume Design

Willy Holt
Production Design

Philippe Turlure
Production Design

Laurent Lévy
Foley Artist

Henning Lohner
Music Consultant

Bruno Carette
In Memory Of
Popular Reviews
11 reviews
Kev

Perhaps the most overlooked film in Malle’s filmography, Milou en mai is a mischievous satire set to the background of the 1968 riots in a country estate in Southern France.
The Vieuzac family gather for the matriarch’s funeral, who founds herself laid out at the house without a proper burial due to the strikes and, while the situation gets figured out, things get complicated and (sexual) financial tension builds between them.
It’s refreshing to see an account of the events [of May 68] through a wistful comedy, subtle in social criticism but poignant in its depiction of the bourgeoisie hypocrisy. I think it stands among Malle’s very best and is ripe for a re-evaluation.
The Vieuzac family gather for the matriarch’s funeral, who founds herself laid out at the house without a proper burial due to the strikes and, while the situation gets figured out, things get complicated and (sexual) financial tension builds between them.
It’s refreshing to see an account of the events [of May 68] through a wistful comedy, subtle in social criticism but poignant in its depiction of the bourgeoisie hypocrisy. I think it stands among Malle’s very best and is ripe for a re-evaluation.
Perhaps the most overlooked film in Malle’s filmography, Milou en mai is a mischievous satire set to the background of the 1968 riots in a country estate in Southern France.
The Vieuzac family gather for the matriarch’s funeral, who founds herself laid out at the house without a proper burial due to the strikes and, while the situation gets figured out, things get complicated and (sexual) financial tension builds between them.
It’s refreshing to see an account of the events [of May 68] through a wistful comedy, subtle in social criticism but poignant in its depiction of the bourgeoisie hypocrisy. I think it stands among Malle’s very best and is ripe for a re-evaluation.
The Vieuzac family gather for the matriarch’s funeral, who founds herself laid out at the house without a proper burial due to the strikes and, while the situation gets figured out, things get complicated and (sexual) financial tension builds between them.
It’s refreshing to see an account of the events [of May 68] through a wistful comedy, subtle in social criticism but poignant in its depiction of the bourgeoisie hypocrisy. I think it stands among Malle’s very best and is ripe for a re-evaluation.
jammy
7.0★ · 05/27/20

You can't convince me that knives out drew no influence from this affluent and completely out of touch from reality aristocrats.
And you know what, hard agree that Milou is the scourge of the fellow comrade.
If only I could be so bourgeoisie to think the world revolves around me; the infallible kindness of their heiress maid and gregarious truck driver reminds me of whats really important
And you know what, hard agree that Milou is the scourge of the fellow comrade.
If only I could be so bourgeoisie to think the world revolves around me; the infallible kindness of their heiress maid and gregarious truck driver reminds me of whats really important
You can't convince me that knives out drew no influence from this affluent and completely out of touch from reality aristocrats.
And you know what, hard agree that Milou is the scourge of the fellow comrade.
If only I could be so bourgeoisie to think the world revolves around me; the infallible kindness of their heiress maid and gregarious truck driver reminds me of whats really important
And you know what, hard agree that Milou is the scourge of the fellow comrade.
If only I could be so bourgeoisie to think the world revolves around me; the infallible kindness of their heiress maid and gregarious truck driver reminds me of whats really important
Reone Goulouzadeh
6.9★ · 01/20/26

nb
7.0★ · 02/10/25

Lea
9.0★ · 04/22/24
