Doomed Love

didn't like how the author wrote it, liked how the director shot it

didn't like how the author wrote it, liked how the director shot it

Oliveira worked through spectrums of the arts in an ascetic level, the main structure being inclined to classism still finds its way to reinvent itself through a syncretised narrative creating the perfect harmony between cinema & theatre playing in different grounds of unreality & reality. Masterful in its use of “Eros” as the always defiant figure that rebels against bourgeoise structure... just perfect!.

Oliveira worked through spectrums of the arts in an ascetic level, the main structure being inclined to classism still finds its way to reinvent itself through a syncretised narrative creating the perfect harmony between cinema & theatre playing in different grounds of unreality & reality. Masterful in its use of “Eros” as the always defiant figure that rebels against bourgeoise structure... just perfect!.

Oliveira worked through spectrums of the arts in an ascetic level, the main structure being inclined to classism still finds its way to reinvent itself through a syncretised narrative creating the perfect harmony between cinema & theatre playing in different grounds of unreality & reality. Masterful in its use of “Eros” as the always defiant figure that rebels against bourgeoise structure... just perfect!.

Oliveira worked through spectrums of the arts in an ascetic level, the main structure being inclined to classism still finds its way to reinvent itself through a syncretised narrative creating the perfect harmony between cinema & theatre playing in different grounds of unreality & reality. Masterful in its use of “Eros” as the always defiant figure that rebels against bourgeoise structure... just perfect!.