Zatoichi the Fugitive backdrop
Zatoichi the Fugitive logo
1963·Adventure·1h 26m
7.1
After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.
Directed by Tokuzō Tanaka
japan
samurai
sword
katana
sequel
ichi
zatoichi
jidaigeki

Cast

Shintarō Katsu
Shintarō Katsu
Zatoichi
Miwa Takada
Miwa Takada
Onobu
Masayo Banri
Masayo Banri
Otane
Katsuhiko Kobayashi
Katsuhiko Kobayashi
Jun'ichirō Narita
Jun'ichirō Narita
Sakichi
Tōru Abe
Tōru Abe
Boss Yagiri Tokyuro
Yūji Hamada
Yūji Hamada
Jun Katsumura
Jun Katsumura
Wrestling yakuza
Kōichi Mizuhara
Kōichi Mizuhara
Boss Unosuke
Sachiko Murase
Sachiko Murase
Maki
Hiroshi Nawa
Hiroshi Nawa
Ikkei Tamaki
Ikkei Tamaki

Crew

Tokuzō Tanaka
Tokuzō Tanaka
Director
Seiji Hoshikawa
Seiji Hoshikawa
Screenplay
Akira Ifukube
Akira Ifukube
Original Music Composer
Masaichi Nagata
Masaichi Nagata
Executive Producer
Kan Shimozawa
Kan Shimozawa
Original Story

Popular Reviews

11 reviews
Brian Ekberg
Zatoichi the Fugitive
If this movie had a stronger two first acts, it would undoubtedly be my favorite in the Zatoichi series. Its final 30 minutes are thrilling and riveting, full of action, fury, and sadness. The film’s final shot, of Ichi dancing away from the village, continuing his pretend minstrel show for passersby, as they are unaware of the slaughter he had just perpetuated in the name of justice, self-preservation, and revenge, is tragic and wonderful all at once. 

It takes a while to get to its glorious climax and the plot seems to bend itself in knots along the way. Still, stick with it, if only to comprehend the full scope of tragedy and balletic fury that this series so expertly balances.
If this movie had a stronger two first acts, it would undoubtedly be my favorite in the Zatoichi series. Its final 30 minutes are thrilling and riveting, full of action, fury, and sadness. The film’s final shot, of Ichi dancing away from the village, continuing his pretend minstrel show for passersby, as they are unaware of the slaughter he had just perpetuated in the name of justice, self-preservation, and revenge, is tragic and wonderful all at once. 

It takes a while to get to its glorious climax and the plot seems to bend itself in knots along the way. Still, stick with it, if only to comprehend the full scope of tragedy and balletic fury that this series so expertly balances.
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Gabriel Silva
Gabriel Silva
Zatoichi the Fugitive
The character of Zatoichi may feel a bit more muted in the beginning two acts of this film, but overall it is much less about him this time around and more about the characters that surround him. The politics of land control are the background radiation for the lives of young people who did not ask to be a part of it but were thrust into it, with Zatoichi as one of their few sympathizers. The shift to colour overall under Tokuzō Tanaka has been handled brilliantly between New Tale of Zatoichi and this film, really setting mood with great lighting and composition. There’s a lot of really great quick cuts typically used for action sequences in other Japanese sword films that are used in rather innocuous ways here. Just very fun, especially with the action of the final act
The character of Zatoichi may feel a bit more muted in the beginning two acts of this film, but overall it is much less about him this time around and more about the characters that surround him. The politics of land control are the background radiation for the lives of young people who did not ask to be a part of it but were thrust into it, with Zatoichi as one of their few sympathizers. The shift to colour overall under Tokuzō Tanaka has been handled brilliantly between New Tale of Zatoichi and this film, really setting mood with great lighting and composition. There’s a lot of really great quick cuts typically used for action sequences in other Japanese sword films that are used in rather innocuous ways here. Just very fun, especially with the action of the final act
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Eclectic Sorcerer
Eclectic Sorcerer
Zatoichi the Fugitive
The action cinematography and editing are all on point, with a booming soundtrack that is sometimes a little out of place. However, I find the script to be a bit off, I like how it challenges Ichi and the decisions he made through the previous trilogy. But in heinseight this feels a little out of place considering there were 22 movies and a 100 episode television series after this. As well as giving him a rival fight that feels too early as a grand challenge that might make the future ones feel less impactful.

It could've been more great if they just waited to do this story, I feel.
The action cinematography and editing are all on point, with a booming soundtrack that is sometimes a little out of place. However, I find the script to be a bit off, I like how it challenges Ichi and the decisions he made through the previous trilogy. But in heinseight this feels a little out of place considering there were 22 movies and a 100 episode television series after this. As well as giving him a rival fight that feels too early as a grand challenge that might make the future ones feel less impactful.

It could've been more great if they just waited to do this story, I feel.
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Eclectic Sorcerer
Eclectic Sorcerer
Zatoichi the Fugitive
The action cinematography and editing are all on point, with a booming soundtrack that is sometimes a little out of place. However, I find the script to be a bit off, I like how it challenges Ichi and the decisions he made through the previous trilogy. But in heinseight this feels a little out of place considering there were 22 movies and a 100 episode television series after this. As well as giving him a rival fight that feels too early as a grand challenge that might make the future ones feel less impactful.

It could've been more great if they just waited to do this story, I feel.
The action cinematography and editing are all on point, with a booming soundtrack that is sometimes a little out of place. However, I find the script to be a bit off, I like how it challenges Ichi and the decisions he made through the previous trilogy. But in heinseight this feels a little out of place considering there were 22 movies and a 100 episode television series after this. As well as giving him a rival fight that feels too early as a grand challenge that might make the future ones feel less impactful.

It could've been more great if they just waited to do this story, I feel.
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alex glifford
alex glifford
Zatoichi the Fugitive
My favourite so far this slapped
Every single moment was so fun to look at especially all the outside shots when the greens really popped 
There were a few points where it got a bit convoluted but I think it all came to a great third act that satisfied each plot point really nicely, but cost this being something more special than another film in the series for me
Zatoichi was probably the least entertaining he’s been so far but weirdly didn’t impact my enjoyment at all
what great fun
My favourite so far this slapped
Every single moment was so fun to look at especially all the outside shots when the greens really popped 
There were a few points where it got a bit convoluted but I think it all came to a great third act that satisfied each plot point really nicely, but cost this being something more special than another film in the series for me
Zatoichi was probably the least entertaining he’s been so far but weirdly didn’t impact my enjoyment at all
what great fun
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