The setup of and structure of these films are starting to feel very samey, but that’s not a problem here like it is for a lot of modern franchise film. The advantage here, of course, is the self-contained story showcasing the chops of a singular star first and foremost. It really does pay off, allowing Shintaro Katsu to really show off a lot of his acting chops. He’s just so incredibly charismatic here and the film’s edit really heightens it. It feels choppy but just enough to feel pulpy without being cheap. The dragonfly sequence comes to mind specifically. The way the film treats Zatoichi’s disability is starting to feel less like something that grants him superpowers and more like an inconvenience, not simply because of what he can’t see but because of the repeated stigma that we have seen in prior films just this time heightened to where even those who come to him for help cannot help but think they can have an advantage over him
The setup of and structure of these films are starting to feel very samey, but that’s not a problem here like it is for a lot of modern franchise film. The advantage here, of course, is the self-contained story showcasing the chops of a singular star first and foremost. It really does pay off, allowing Shintaro Katsu to really show off a lot of his acting chops. He’s just so incredibly charismatic here and the film’s edit really heightens it. It feels choppy but just enough to feel pulpy without being cheap. The dragonfly sequence comes to mind specifically. The way the film treats Zatoichi’s disability is starting to feel less like something that grants him superpowers and more like an inconvenience, not simply because of what he can’t see but because of the repeated stigma that we have seen in prior films just this time heightened to where even those who come to him for help cannot help but think they can have an advantage over him