1972·Action·1h 29m
6.8
★
Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
Directed by Jun Fukuda
japan
peace
giant monster
cockroach
sequel
alien invasion
amusement park
theme park
gojira
kaiju
tag team
anguirus
monster island
king ghidorah
godzilla
manga artist
manga
tokusatsu
IMDB
N/A
Where to Watch
Cast
Yuriko Hishimi
Tomoko Tomoe
Minoru Takashima
Shosaku Takasugi
Toshiaki Nishizawa
Director Kubota
Kunio Murai
Takeshi Shima
Gen Shimizu
Commander of Defense Forces
Zeko Nakamura
Priest
Shosei Muto
Naoya Kusakawa
Policeman
Wataru Ōmae
Henchman
Haruo Nakajima
Godzilla / JSDF Officer / Background Comic Editor
Kenpachirō Satsuma
Gigan (as Kengo Nakayama)
Crew
Jun Fukuda
Director
Shinichi Sekizawa
Screenplay
Kunio Miyauchi
Original Music Composer
Tomoyuki Tanaka
Producer
Motoyoshi Tomioka
VFX Director of Photography
Akira Ifukube
Music
Motoyoshi Tomioka
Special Effects
Kunio Miyauchi
Songs
Takahide Morichi
Production Manager
Jiro Shirasaki
Visual Effects Art Director
Jiro Shirasaki
Costume Design
Shinichi Sekizawa
Lyricist
Popular Reviews
138 reviews
Ddsha
6.0★ · 04/05/26
The ending felt like Godzilla and Anguirus went to grab a beer after a long shift 🍻
The ending felt like Godzilla and Anguirus went to grab a beer after a long shift 🍻
1
Kara
6.0★ · 07/24/26
Talking lizard like monsters? What is this, a History Channel conspiracy?
Talking lizard like monsters? What is this, a History Channel conspiracy?
Baeaeggs
7.0★ · 06/20/26
Anguirus invented the dropkick! Godzilla is a dirty plagiarizer!
Anguirus invented the dropkick! Godzilla is a dirty plagiarizer!
Adil Sayyad
5.0★ · 06/07/26
Secretive Aliens, Rogue Lovable Characters and Kaijus! While there are plenty of faults with Godzilla vs Gigan, it holds a certain charm that you will be willing to forgive.
Gengo Kotaka (Hiroshi Ishikawa), a manga artist, gets embroiled in intergalactic conflict when he spots Machiko Shima (Tomoko Umeda) running away with a tape from the creators of Children’s Land. After some digging, he finds that the creators of Children’s Land are no ordinary human beings and are hiding some secret.
Surprisingly, the human story is the best part of the film. The film invites you in with a plot that piques your curiosity. Why is Shima running away from the originators of an amusement park? What is the big deal about a tape? The characters are also well-developed, like there is a concerned sister, a rebellious brother, and a manga artist who finds himself in a plot that is way above his pay grade.
There are some unintentionally funny bits, like the talking bubble that pops up whenever Godzilla shows up and the obvious toy that has been used to showcase flying Gigan and King Ghidorah. The effects were way better in the previous film. There is the character of Tomoko Tomoe (Yuriko Hishimi), who is so good at beating people up. What makes it hilarious is that she is never built as a tough person in her introductory scenes; she just comes in and saves the day in the middle of the film, which makes you go, ‘Wait, what? ' This is what I meant when I said that this film has a certain charm that will make you forgive its faults.
Gengo Kotaka (Hiroshi Ishikawa), a manga artist, gets embroiled in intergalactic conflict when he spots Machiko Shima (Tomoko Umeda) running away with a tape from the creators of Children’s Land. After some digging, he finds that the creators of Children’s Land are no ordinary human beings and are hiding some secret.
Surprisingly, the human story is the best part of the film. The film invites you in with a plot that piques your curiosity. Why is Shima running away from the originators of an amusement park? What is the big deal about a tape? The characters are also well-developed, like there is a concerned sister, a rebellious brother, and a manga artist who finds himself in a plot that is way above his pay grade.
There are some unintentionally funny bits, like the talking bubble that pops up whenever Godzilla shows up and the obvious toy that has been used to showcase flying Gigan and King Ghidorah. The effects were way better in the previous film. There is the character of Tomoko Tomoe (Yuriko Hishimi), who is so good at beating people up. What makes it hilarious is that she is never built as a tough person in her introductory scenes; she just comes in and saves the day in the middle of the film, which makes you go, ‘Wait, what? ' This is what I meant when I said that this film has a certain charm that will make you forgive its faults.
Secretive Aliens, Rogue Lovable Characters and Kaijus! While there are plenty of faults with Godzilla vs Gigan, it holds a certain charm that you will be willing to forgive.
Gengo Kotaka (Hiroshi Ishikawa), a manga artist, gets embroiled in intergalactic conflict when he spots Machiko Shima (Tomoko Umeda) running away with a tape from the creators of Children’s Land. After some digging, he finds that the creators of Children’s Land are no ordinary human beings and are hiding some secret.
Surprisingly, the human story is the best part of the film. The film invites you in with a plot that piques your curiosity. Why is Shima running away from the originators of an amusement park? What is the big deal about a tape? The characters are also well-developed, like there is a concerned sister, a rebellious brother, and a manga artist who finds himself in a plot that is way above his pay grade.
There are some unintentionally funny bits, like the talking bubble that pops up whenever Godzilla shows up and the obvious toy that has been used to showcase flying Gigan and King Ghidorah. The effects were way better in the previous film. There is the character of Tomoko Tomoe (Yuriko Hishimi), who is so good at beating people up. What makes it hilarious is that she is never built as a tough person in her introductory scenes; she just comes in and saves the day in the middle of the film, which makes you go, ‘Wait, what? ' This is what I meant when I said that this film has a certain charm that will make you forgive its faults.
Gengo Kotaka (Hiroshi Ishikawa), a manga artist, gets embroiled in intergalactic conflict when he spots Machiko Shima (Tomoko Umeda) running away with a tape from the creators of Children’s Land. After some digging, he finds that the creators of Children’s Land are no ordinary human beings and are hiding some secret.
Surprisingly, the human story is the best part of the film. The film invites you in with a plot that piques your curiosity. Why is Shima running away from the originators of an amusement park? What is the big deal about a tape? The characters are also well-developed, like there is a concerned sister, a rebellious brother, and a manga artist who finds himself in a plot that is way above his pay grade.
There are some unintentionally funny bits, like the talking bubble that pops up whenever Godzilla shows up and the obvious toy that has been used to showcase flying Gigan and King Ghidorah. The effects were way better in the previous film. There is the character of Tomoko Tomoe (Yuriko Hishimi), who is so good at beating people up. What makes it hilarious is that she is never built as a tough person in her introductory scenes; she just comes in and saves the day in the middle of the film, which makes you go, ‘Wait, what? ' This is what I meant when I said that this film has a certain charm that will make you forgive its faults.
Zach
7.0★ · 05/05/26
God zila .
God zila .