Targets

Well this one definitely could’ve sat in my watchlist just a little but longer but I will say old Los Angeles always does look aesthetically pleasing in any given film even if I would’ve barely been accepted in that time period

Well this one definitely could’ve sat in my watchlist just a little but longer but I will say old Los Angeles always does look aesthetically pleasing in any given film even if I would’ve barely been accepted in that time period

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

Tim O’Kelly delivers an outstanding performance in this film. I loved the silent, suspenseful atmosphere it keeps you on edge right up to the final buildup. Visually, the film is strikingly cohesive, with a consistent hue that beautifully evokes the 1960s/70s. The use of shadow throughout really stands out, and the final shot is executed to perfection. Though the film may be considered an antique, the plot feels surprisingly fresh. The horror elements mixed with reality will always be visually brilliant.

reminding me of Nashville ... very good, one of those late 60s early 70s movies where you really get a sense of the collective mania of those years--- complete loss of faith in morality ---- watching him put his father in his scope and come so close to pulling the trigger just because he can -- so chilling -- love how suddenly the massacre begins, it isn't clear its real until he starts cleaning up after himself ... idea of a sniper shooting from the screen of a drive-in movie theatre is brilliant --

reminding me of Nashville ... very good, one of those late 60s early 70s movies where you really get a sense of the collective mania of those years--- complete loss of faith in morality ---- watching him put his father in his scope and come so close to pulling the trigger just because he can -- so chilling -- love how suddenly the massacre begins, it isn't clear its real until he starts cleaning up after himself ... idea of a sniper shooting from the screen of a drive-in movie theatre is brilliant --