1988·Crime·1h 6m
7.1
★
Reporter Nukada’s next big assignment is the secret world of Japanese phone sex clubs. Midori, a part-time employee at the Banana Club, and Kihara, a client with perverted tastes, are his first targets.
Directed by Hisayasu Satō
erotic movie
IMDB
N/A
Cast
Kiyomi Itō
Kihara's Wife
Toru Nakane
Nukada
Kazuhiro Sano
Crew
Hisayasu Satō
Director
Popular Reviews
5 reviews
PoyPoy
10.0★ · 05/17/25
AIDS
AIDS
eeman
4.0★ · 03/31/25
made me not only watch straight up porn for 30 mins but the porn also had the man in control 🥀🥀🥀🥀
made me not only watch straight up porn for 30 mins but the porn also had the man in control 🥀🥀🥀🥀
Theo
8.0★ · 01/14/25
an incredibly surreal experience, with a really bizarre ending that perfectly fit into the film. the cinematography was really nice, with the voyeuristic shots of windows, characters and landscapes. i think there is a lot to take away from this piece, in particular themes of loneliness that Satō often has in his works. really interesting film here, having an incredibly bleak atmosphere throughout.
an incredibly surreal experience, with a really bizarre ending that perfectly fit into the film. the cinematography was really nice, with the voyeuristic shots of windows, characters and landscapes. i think there is a lot to take away from this piece, in particular themes of loneliness that Satō often has in his works. really interesting film here, having an incredibly bleak atmosphere throughout.
Kris
8.0★ · 08/23/21
Sato’s use of the politics of “desire” is fascinating, as is his architectural composition & cold dissection of eroticism through a decomposed sexuality, the alienated characters experience a digitalised/technophilical simulation of sexuality specially “humaneness” (touch, communication), sex is a destructive act of this humaneness through oppressive (allegorical) bondage, crude but fascinating.
Sato’s use of the politics of “desire” is fascinating, as is his architectural composition & cold dissection of eroticism through a decomposed sexuality, the alienated characters experience a digitalised/technophilical simulation of sexuality specially “humaneness” (touch, communication), sex is a destructive act of this humaneness through oppressive (allegorical) bondage, crude but fascinating.
Kris
8.0★ · 08/23/21
Sato’s use of the politics of “desire” is fascinating, as is his architectural composition & cold dissection of eroticism through a decomposed sexuality, the alienated characters experience a digitalised/technophilical simulation of sexuality specially “humaneness” (touch, communication), sex is a destructive act of this humaneness through oppressive (allegorical) bondage, crude but fascinating.
Sato’s use of the politics of “desire” is fascinating, as is his architectural composition & cold dissection of eroticism through a decomposed sexuality, the alienated characters experience a digitalised/technophilical simulation of sexuality specially “humaneness” (touch, communication), sex is a destructive act of this humaneness through oppressive (allegorical) bondage, crude but fascinating.