Italians do love to spice up the horror genre

Italians do love to spice up the horror genre

"You think you're telling the truth, but in fact, you're telling only your version of the truth. It happens to me all the time"

The sound design is incredible and very important. The way Argento uses it to warn both the characters and the viewer that something is wrong is brilliant. The same goes for the lighting and the use of shadows.
The story itself is quite good, but I didn't like the characters too much. I think their actions are too convenient for the plot.
Goblin's music is incredible, but I don't think it works as well as, for example, in Suspiria.
For much of the film, I was sure it was obvious who the killer was, and in the end I was wrong. I like it when films make you pay so much attention to such minute details that they end up confusing you even more.
Another thing I find brilliant is how Argento presents ideas that seem unimportant at first but begin to grow as the film progresses. I think this can be seen very well in the painting that supposedly disappeared. Argento subtly introduces the image of this painting to the viewer, making them as uncertain about what they saw as the protagonist. I love those kinds of details.

"You think you're telling the truth, but in fact, you're telling only your version of the truth. It happens to me all the time"

The sound design is incredible and very important. The way Argento uses it to warn both the characters and the viewer that something is wrong is brilliant. The same goes for the lighting and the use of shadows.
The story itself is quite good, but I didn't like the characters too much. I think their actions are too convenient for the plot.
Goblin's music is incredible, but I don't think it works as well as, for example, in Suspiria.
For much of the film, I was sure it was obvious who the killer was, and in the end I was wrong. I like it when films make you pay so much attention to such minute details that they end up confusing you even more.
Another thing I find brilliant is how Argento presents ideas that seem unimportant at first but begin to grow as the film progresses. I think this can be seen very well in the painting that supposedly disappeared. Argento subtly introduces the image of this painting to the viewer, making them as uncertain about what they saw as the protagonist. I love those kinds of details.

Wie der Pianist am umgeworfenen Bus vorbeifährt, sehe ich den Film: fasziniert, skeptisch, amüsiert. Die Kamera leistet eine Meisterarbeit, ist ein eigener Charakter, inszeniert die Morde mit derselben Lust wie das repräsentative Miniatur-Modell. Ich liebe, wie neben der Spur die Musik ist.
Alle Personen sind so eigen und besonders, dass jede Interaktion gesehen werden will, urkomisch.
Das Blut ist wirklich Profundo, ein Augenschmaus.

"But I'm telling you the truth!"
"No, Marc. You think you're telling the truth, but in fact... you're telling only your version of the truth. It happens to me all the time."

Wie der Pianist am umgeworfenen Bus vorbeifährt, sehe ich den Film: fasziniert, skeptisch, amüsiert. Die Kamera leistet eine Meisterarbeit, ist ein eigener Charakter, inszeniert die Morde mit derselben Lust wie das repräsentative Miniatur-Modell. Ich liebe, wie neben der Spur die Musik ist.
Alle Personen sind so eigen und besonders, dass jede Interaktion gesehen werden will, urkomisch.
Das Blut ist wirklich Profundo, ein Augenschmaus.

"But I'm telling you the truth!"
"No, Marc. You think you're telling the truth, but in fact... you're telling only your version of the truth. It happens to me all the time."

qué rabia me da haberla visto en español

qué rabia me da haberla visto en español

Saw at drexel

Saw at drexel