Mother Night backdrop
Mother Night logo
1996·Drama·1h 54m
7.1
An American spy behind the lines during WWII serves as a Nazi propagandist, a role he cannot escape in his future life as he can never reveal his real role in the war.
Directed by Keith Gordon
nazi
germany
world war ii

Cast

Nick Nolte
Nick Nolte
Howard Campbell
Sheryl Lee
Sheryl Lee
Helga Noth / Resi Noth
Alan Arkin
Alan Arkin
George Kraft
Bernard Behrens
Bernard Behrens
Reverend Dr. Lionel Jones
Anna Berger
Anna Berger
Epstein's Mother
Arye Gross
Arye Gross
Dr. Abraham Epstein
Norman Rodway
Norman Rodway
Werner Noth
Frankie Faison
Frankie Faison
Robert Sterling Wilson
Gerard Parkes
Gerard Parkes
Father Patrick Keeley
Vlasta Vrana
Vlasta Vrana
August Krapptauer
Zach Grenier
Zach Grenier
Joseph Goebbels
Kirsten Dunst
Kirsten Dunst
Young Resi Noth

Crew

Keith Gordon
Keith Gordon
Director
Robert B. Weide
Robert B. Weide
Screenplay
Michael Convertino
Michael Convertino
Original Music Composer
Tom Richmond
Tom Richmond
Director of Photography
Robert B. Weide
Robert B. Weide
Producer
Keith Gordon
Keith Gordon
Producer
Linda Reisman
Linda Reisman
Executive Producer
Kurt Vonnegut
Kurt Vonnegut
Novel
Arvo Pärt
Arvo Pärt
Additional Soundtrack
François Séguin
François Séguin
Production Design
Anne Morgan
Anne Morgan
Hairstylist

Popular Reviews

7 reviews
Blake
Blake
Mother Night
I guess if you’re going to adapt Vonnegut, you’re gonna have to make some changes and sacrifices here and there. The book is written as a “memoir” from the main character and while the film adaptation has voiceover to match that, there aren’t nearly as many funny asides and musings. The absence of these smaller moments turn this story into a more dramatic affair with sprinkles of humor, which probably works better on screen but I did miss the black comedy of the book. It’s a pretty straightforward page to screen adaptation other than that. My biggest problem with this, however, is the fact that it’s missing what I believe to be two hugely important sections of the book that are set up but not payed off, which was very strange.  

Everyone does a great job, particularly Nolte and Lee and Goodman. Nolte particularly does an exceptional job as a man who has no direction and is so guilt ridden that he is really just waiting for death to roll around, while also maybe being extremely evil or maybe not. He’s not really sure. I was surprised to see such a stacked cast for a movie I had no idea existed until I read the book. You could absolutely watch this without having read the book, but obviously read the book! It’s only 190 pages and it’s really good!
I guess if you’re going to adapt Vonnegut, you’re gonna have to make some changes and sacrifices here and there. The book is written as a “memoir” from the main character and while the film adaptation has voiceover to match that, there aren’t nearly as many funny asides and musings. The absence of these smaller moments turn this story into a more dramatic affair with sprinkles of humor, which probably works better on screen but I did miss the black comedy of the book. It’s a pretty straightforward page to screen adaptation other than that. My biggest problem with this, however, is the fact that it’s missing what I believe to be two hugely important sections of the book that are set up but not payed off, which was very strange.  

Everyone does a great job, particularly Nolte and Lee and Goodman. Nolte particularly does an exceptional job as a man who has no direction and is so guilt ridden that he is really just waiting for death to roll around, while also maybe being extremely evil or maybe not. He’s not really sure. I was surprised to see such a stacked cast for a movie I had no idea existed until I read the book. You could absolutely watch this without having read the book, but obviously read the book! It’s only 190 pages and it’s really good!
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Donkles
Donkles
Mother Night
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Amir
Amir
Mother Night
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PoochieVince
PoochieVince
Mother Night
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Spence
Spence
Mother Night
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