

2013·Comedy·2h 2m
7.3
★












Valentin is Acapulco's resident playboy, until a former fling leaves a baby on his doorstep and him heading with her out of Mexico.
Directed by Eugenio Derbez
bachelor
vespa
Rank
#41 in 2013·#1854 overall

Trailer

IMDB
N/A
Where to Watch



Cast

Eugenio Derbez
Valentín

Loreto Peralta
Maggie

Jessica Lindsey
Julie

Daniel Raymont
Frank Ryan

Hugo Stiglitz
Johnny Bravo

Arcelia Ramírez
Judeisy

Agustín Bernal
Lupe

Karla Souza
Jackie

Roger Cudney
Abogado Julie

Ari Brickman
Director

Jesús Ochoa
Himself

Andrés Vázquez
Valentín niño
Crew

Eugenio Derbez
Director

Eugenio Derbez
Writer

Guillermo Ríos
Writer

Leticia López Margalli
Writer

Carlo Siliotto
Original Music Composer

Martín Boege
Director of Photography

Eugenio Derbez
Producer

Guillermo Ríos
Story

Leticia López Margalli
Story
Popular Reviews
618 reviews
Yami Rodriguez
8.0★ · 08/25/23

who’s worse, my parents showing me this at age eleven or me self sabotaging myself with this film at age twenty?
who’s worse, my parents showing me this at age eleven or me self sabotaging myself with this film at age twenty?
1
ricardo
10.0★ · 06/12/26

damn
damn
Danny Sheahan
8.0★ · 06/08/26

The highest grossing Mexican film of all time at the Mexican Box Office, this one is a hidden gem that most English speakers have never heard of. The story is about a playboy whose ex-fling drops a baby off at his door, and he then has to spend the rest of his life trying to be a Dad to a young daughter.
Writer/Director/Star Eugenio Derbez was a TV star in Mexico, to the point where the "real" directors and studios didn't take him seriously and weren't willing to make his script. So Derbez took matters into his own hands and made this film independently outside of the studio system. This ends up giving the film a wholly unique feeling, embracing tones I never expected, and twists I never saw coming. Sometimes when you don't know the rules of what you're "supposed" to do, you do whatever you want, and it might actually be better than doing things the "proper" way.
For Instructions Not Included, a lot of these choices really worked for me. The melodrama tone I normally wouldn't like, but when it's part of a Father/Daughter story, it really warmed my heart. I love that Valentin's career ends up being as a stunt performer basically bashing his body to bits just to provide for his daughter. There's so much about this film that just feels magical, like the stories Valentin paints for Maggie about where her Mother is, or the amazing playhouse he gives for her to live in.
Not everything fully works. Some aspects of how the film talks about LGBTQ individuals don't fully hold up, although it didn't seem egregious to me. And there were some strange edits jumping forward for no real reason on the timeline, just to catch up a few scenes later. Also for me as a viewer for most of the 2nd half, in the moment I kept thinking "oh that's not how this would happen" but every time I thought that, the film would drop a later reveal that explained the situation, and overrode my critique. In particular, I thought I knew where this was going, but then the ultimate reveal of the film I absolutely did not see coming. And honestly it was perfect.
Definitely need to give a shout out to the child performance from Loreto Peralta as Maggie. She commands my attention on screen every time she shows up. Her character is precocious, clever, sassy, lovable, and yet, tragic. Watching her be pulled between two worlds really yanked on my heartstrings since I genuinely cared for her. And to Derbez's credit, that means his directing was working. The audience is seeing this world through through Valentin's eyes, so we're supposed to feel an almost paternal connection to Maggie the way he does. I know I was feeling that, so the filmmaking was fully accomplishing its objective.
I saw this at Vidiots with a sold out theater of mostly hispanic viewers, and a Q&A with Derbez, who seems like he must be a massive star in Latin America even though I only knew him as the teacher from Coda. It was really special to see how much this film had meant to so many of these viewers, and watching it myself for the first time, I could really see why. Instructions Not Included is beautiful, heartwarming, occasionally cheesy, and fully earns it's tearjerker moments. This one caught me by surprise, and I think other non-Spanish speakers should give it a shot.
Writer/Director/Star Eugenio Derbez was a TV star in Mexico, to the point where the "real" directors and studios didn't take him seriously and weren't willing to make his script. So Derbez took matters into his own hands and made this film independently outside of the studio system. This ends up giving the film a wholly unique feeling, embracing tones I never expected, and twists I never saw coming. Sometimes when you don't know the rules of what you're "supposed" to do, you do whatever you want, and it might actually be better than doing things the "proper" way.
For Instructions Not Included, a lot of these choices really worked for me. The melodrama tone I normally wouldn't like, but when it's part of a Father/Daughter story, it really warmed my heart. I love that Valentin's career ends up being as a stunt performer basically bashing his body to bits just to provide for his daughter. There's so much about this film that just feels magical, like the stories Valentin paints for Maggie about where her Mother is, or the amazing playhouse he gives for her to live in.
Not everything fully works. Some aspects of how the film talks about LGBTQ individuals don't fully hold up, although it didn't seem egregious to me. And there were some strange edits jumping forward for no real reason on the timeline, just to catch up a few scenes later. Also for me as a viewer for most of the 2nd half, in the moment I kept thinking "oh that's not how this would happen" but every time I thought that, the film would drop a later reveal that explained the situation, and overrode my critique. In particular, I thought I knew where this was going, but then the ultimate reveal of the film I absolutely did not see coming. And honestly it was perfect.
Definitely need to give a shout out to the child performance from Loreto Peralta as Maggie. She commands my attention on screen every time she shows up. Her character is precocious, clever, sassy, lovable, and yet, tragic. Watching her be pulled between two worlds really yanked on my heartstrings since I genuinely cared for her. And to Derbez's credit, that means his directing was working. The audience is seeing this world through through Valentin's eyes, so we're supposed to feel an almost paternal connection to Maggie the way he does. I know I was feeling that, so the filmmaking was fully accomplishing its objective.
I saw this at Vidiots with a sold out theater of mostly hispanic viewers, and a Q&A with Derbez, who seems like he must be a massive star in Latin America even though I only knew him as the teacher from Coda. It was really special to see how much this film had meant to so many of these viewers, and watching it myself for the first time, I could really see why. Instructions Not Included is beautiful, heartwarming, occasionally cheesy, and fully earns it's tearjerker moments. This one caught me by surprise, and I think other non-Spanish speakers should give it a shot.
The highest grossing Mexican film of all time at the Mexican Box Office, this one is a hidden gem that most English speakers have never heard of. The story is about a playboy whose ex-fling drops a baby off at his door, and he then has to spend the rest of his life trying to be a Dad to a young daughter.
Writer/Director/Star Eugenio Derbez was a TV star in Mexico, to the point where the "real" directors and studios didn't take him seriously and weren't willing to make his script. So Derbez took matters into his own hands and made this film independently outside of the studio system. This ends up giving the film a wholly unique feeling, embracing tones I never expected, and twists I never saw coming. Sometimes when you don't know the rules of what you're "supposed" to do, you do whatever you want, and it might actually be better than doing things the "proper" way.
For Instructions Not Included, a lot of these choices really worked for me. The melodrama tone I normally wouldn't like, but when it's part of a Father/Daughter story, it really warmed my heart. I love that Valentin's career ends up being as a stunt performer basically bashing his body to bits just to provide for his daughter. There's so much about this film that just feels magical, like the stories Valentin paints for Maggie about where her Mother is, or the amazing playhouse he gives for her to live in.
Not everything fully works. Some aspects of how the film talks about LGBTQ individuals don't fully hold up, although it didn't seem egregious to me. And there were some strange edits jumping forward for no real reason on the timeline, just to catch up a few scenes later. Also for me as a viewer for most of the 2nd half, in the moment I kept thinking "oh that's not how this would happen" but every time I thought that, the film would drop a later reveal that explained the situation, and overrode my critique. In particular, I thought I knew where this was going, but then the ultimate reveal of the film I absolutely did not see coming. And honestly it was perfect.
Definitely need to give a shout out to the child performance from Loreto Peralta as Maggie. She commands my attention on screen every time she shows up. Her character is precocious, clever, sassy, lovable, and yet, tragic. Watching her be pulled between two worlds really yanked on my heartstrings since I genuinely cared for her. And to Derbez's credit, that means his directing was working. The audience is seeing this world through through Valentin's eyes, so we're supposed to feel an almost paternal connection to Maggie the way he does. I know I was feeling that, so the filmmaking was fully accomplishing its objective.
I saw this at Vidiots with a sold out theater of mostly hispanic viewers, and a Q&A with Derbez, who seems like he must be a massive star in Latin America even though I only knew him as the teacher from Coda. It was really special to see how much this film had meant to so many of these viewers, and watching it myself for the first time, I could really see why. Instructions Not Included is beautiful, heartwarming, occasionally cheesy, and fully earns it's tearjerker moments. This one caught me by surprise, and I think other non-Spanish speakers should give it a shot.
Writer/Director/Star Eugenio Derbez was a TV star in Mexico, to the point where the "real" directors and studios didn't take him seriously and weren't willing to make his script. So Derbez took matters into his own hands and made this film independently outside of the studio system. This ends up giving the film a wholly unique feeling, embracing tones I never expected, and twists I never saw coming. Sometimes when you don't know the rules of what you're "supposed" to do, you do whatever you want, and it might actually be better than doing things the "proper" way.
For Instructions Not Included, a lot of these choices really worked for me. The melodrama tone I normally wouldn't like, but when it's part of a Father/Daughter story, it really warmed my heart. I love that Valentin's career ends up being as a stunt performer basically bashing his body to bits just to provide for his daughter. There's so much about this film that just feels magical, like the stories Valentin paints for Maggie about where her Mother is, or the amazing playhouse he gives for her to live in.
Not everything fully works. Some aspects of how the film talks about LGBTQ individuals don't fully hold up, although it didn't seem egregious to me. And there were some strange edits jumping forward for no real reason on the timeline, just to catch up a few scenes later. Also for me as a viewer for most of the 2nd half, in the moment I kept thinking "oh that's not how this would happen" but every time I thought that, the film would drop a later reveal that explained the situation, and overrode my critique. In particular, I thought I knew where this was going, but then the ultimate reveal of the film I absolutely did not see coming. And honestly it was perfect.
Definitely need to give a shout out to the child performance from Loreto Peralta as Maggie. She commands my attention on screen every time she shows up. Her character is precocious, clever, sassy, lovable, and yet, tragic. Watching her be pulled between two worlds really yanked on my heartstrings since I genuinely cared for her. And to Derbez's credit, that means his directing was working. The audience is seeing this world through through Valentin's eyes, so we're supposed to feel an almost paternal connection to Maggie the way he does. I know I was feeling that, so the filmmaking was fully accomplishing its objective.
I saw this at Vidiots with a sold out theater of mostly hispanic viewers, and a Q&A with Derbez, who seems like he must be a massive star in Latin America even though I only knew him as the teacher from Coda. It was really special to see how much this film had meant to so many of these viewers, and watching it myself for the first time, I could really see why. Instructions Not Included is beautiful, heartwarming, occasionally cheesy, and fully earns it's tearjerker moments. This one caught me by surprise, and I think other non-Spanish speakers should give it a shot.
Scoob
8.0★ · 05/12/26

nico
4.0★ · 04/30/26

ando viendo películas en el hotel
ando viendo películas en el hotel