Spook Sport backdrop

Spook Sport

1940·Animation·8m
7.1
It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.
Directed by Norman McLaren and Mary Ellen Bute and Ted Nemeth
ghost
graveyard
woman director
short film

Crew

Norman McLaren
Norman McLaren
Director
Mary Ellen Bute
Mary Ellen Bute
Director
Ted Nemeth
Ted Nemeth
Director
Norman McLaren
Norman McLaren
Producer
Camille Saint-Saëns
Camille Saint-Saëns
Music

Popular Reviews

14 reviews
Lewis
Lewis
Spook Sport
Yea go crazy on the xylobone
Yea go crazy on the xylobone
Favorite
Comment
Jerssey Alas
Jerssey Alas
Spook Sport
I loved the fuzzy worms. 10/10
I loved the fuzzy worms. 10/10
Favorite
Comment
Jack Dearden
Jack Dearden
Spook Sport
Finally cinema made for me
Finally cinema made for me
Favorite
Comment
John Lewis
John Lewis
Spook Sport
Feels too long. Great animation though.
Feels too long. Great animation though.
Favorite
Comment
Gabriel Silva
Gabriel Silva
Spook Sport
Camille Saint-Saëns is one of my favorite composers from the Romantic era and Spook Sport makes use of one of his gleefully mischievous Dance Macabre in a wonderful display of early experimental animation. McLaren’s animation pairs well with Bute’s sensibilities, creating a “cast” of characters that are mere shapes presented through ink and film. The characters retain their established shapes very rarely, opting to be presented through movement of line instead and represented as themselves through use of colour. It’s a very satisfying piece of animation which does truly feel more akin to a dance performance in terms of storytelling and visual than anything else.
Camille Saint-Saëns is one of my favorite composers from the Romantic era and Spook Sport makes use of one of his gleefully mischievous Dance Macabre in a wonderful display of early experimental animation. McLaren’s animation pairs well with Bute’s sensibilities, creating a “cast” of characters that are mere shapes presented through ink and film. The characters retain their established shapes very rarely, opting to be presented through movement of line instead and represented as themselves through use of colour. It’s a very satisfying piece of animation which does truly feel more akin to a dance performance in terms of storytelling and visual than anything else.
Favorite
Comment
Spook Sport (1940) | Flick