Rangeela backdrop
Rangeela logo
1995·Drama·2h 55m
7.1
A poor young woman, who dreams of Bollywood fame, is caught in a love triangle between her childhood friend and a famous actor.
Directed by Ram Gopal Varma
love triangle

Cast

Urmila Matondkar
Urmila Matondkar
Mili Joshi
Aamir Khan
Aamir Khan
Munna
Jackie Shroff
Jackie Shroff
Raj Kamal
Gulshan Grover
Gulshan Grover
Steven Kapoor
Avtar Gill
Avtar Gill
P.C.
Reema Lagoo
Reema Lagoo
Mrs. Joshi
Achyut Potdar
Achyut Potdar
Mr. Joshi
Neeraj Vora
Neeraj Vora
Drunk Party Guest
Shammi
Shammi
Gulbadan's Mother
Madhur Bhandarkar
Madhur Bhandarkar
Special appearance
Nitin Chandrakant Desai
Nitin Chandrakant Desai
Shefali Shah
Shefali Shah
Gulbadan

Crew

Ram Gopal Varma
Ram Gopal Varma
Director
Ram Gopal Varma
Ram Gopal Varma
Screenplay
A.R. Rahman
A.R. Rahman
Original Music Composer
Ram Gopal Varma
Ram Gopal Varma
Producer
Neeraj Vora
Neeraj Vora
Dialogue
Ram Gopal Varma
Ram Gopal Varma
Story
Saroj Khan
Saroj Khan
Choreographer
Ahmed Khan
Ahmed Khan
Choreographer
S. Janaki
S. Janaki
Playback Singer
Mano
Mano
Playback Singer
Asha Bhosle
Asha Bhosle
Playback Singer
Vairamuthu
Vairamuthu
Lyricist

Popular Reviews

17 reviews
Susan
Susan
Rangeela
Bollywood Romcom back then
Bollywood Romcom back then
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Saitama
Saitama
Rangeela
Hell lot of songs...
Hell lot of songs...
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Boris k
Boris k
Rangeela
Bollywood in a bottle. It’s interesting that the movie barely moves past the note it establishes the central romance with until the last 15 minutes - moved purely by the strength of its images.

Muuna and Kamal work as two worlds for Mili to move between and the film manages to feel grounded to that while still exploding in beautiful Bollywood imagery. Filled with latent desire (maybe the strongest cinematic image of all), the film probably missteps when the camera explicitly lusts over Mili, but who am I to blame anything for being down bad.

Just so well realised.
Bollywood in a bottle. It’s interesting that the movie barely moves past the note it establishes the central romance with until the last 15 minutes - moved purely by the strength of its images.

Muuna and Kamal work as two worlds for Mili to move between and the film manages to feel grounded to that while still exploding in beautiful Bollywood imagery. Filled with latent desire (maybe the strongest cinematic image of all), the film probably missteps when the camera explicitly lusts over Mili, but who am I to blame anything for being down bad.

Just so well realised.
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Surya
Surya
Rangeela
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teaongsi
teaongsi
Rangeela
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