Black Caesar backdrop
Black Caesar logo
1973·Action·1h 35m
7.0
Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
Directed by Larry Cohen
blaxploitation cinema

Cast

Fred Williamson
Fred Williamson
Tommy Gibbs
Gloria Hendry
Gloria Hendry
Helen
Art Lund
Art Lund
McKinney
D'Urville Martin
D'Urville Martin
Rev. Rufus
Julius Harris
Julius Harris
Mr. Gibbs
Minnie Gentry
Minnie Gentry
Mama Gibbs
William Wellman Jr.
William Wellman Jr.
Alfred Coleman
James Dixon
James Dixon
"Irish" Bryant
Val Avery
Val Avery
Cardoza
Don Pedro Colley
Don Pedro Colley
"Craw"
Myrna Hansen
Myrna Hansen
Virginia Coleman
Andrew Duggan
Andrew Duggan
Man at Shoeshine (uncredited)

Crew

Larry Cohen
Larry Cohen
Director
Larry Cohen
Larry Cohen
Writer
James Brown
James Brown
Original Music Composer
George Folsey Jr.
George Folsey Jr.
Editor
Larry Cohen
Larry Cohen
Producer
Barry De Vorzon
Barry De Vorzon
Music Supervisor
Rick Baker
Rick Baker
Makeup Artist
James Dixon
James Dixon
Associate Producer
Mike Horner
Mike Horner
Camera Operator
Rick Baker
Rick Baker
Special Effects
James Signorelli
James Signorelli
Additional Photography
Rick Baker
Rick Baker
Makeup Designer

Popular Reviews

27 reviews
Dontknow
Black Caesar
The best blaxploitation film of all time. Everything from the amazing soundtrack by James Brown, the wonderful cinematography, the thoroughly entertaining dialogue, the gruesome action, and the fantastic lead performance of Fred Williamson, makes this an extremely enthralling watch. I don’t think there’s a single boring scene here, every single moment of this movie stands out, and I was hooked throughout the entire runtime. This film probably has the best interpretation of the “rise and fall” gangster trope, Tommy Gibbs is a genuinely awful dude, but you still manage to sympathize with him and see brief glimpses of his humanity. Make no mistake though, Tommy Gibbs is more of a villain than an anti hero, almost everyone he comes in contact with either dies, or ends up meeting a tragic fate due to his self destructive greed. His ego is only rivaled by the main antagonist “mckinley” who might take the crown for one of the most rage inducing villains I’ve ever seen in a movie. Black Caesar is a film I would recommend to anybody, even if exploitation films aren’t your thing, it’s hard to not enjoy a film this explosive.
The best blaxploitation film of all time. Everything from the amazing soundtrack by James Brown, the wonderful cinematography, the thoroughly entertaining dialogue, the gruesome action, and the fantastic lead performance of Fred Williamson, makes this an extremely enthralling watch. I don’t think there’s a single boring scene here, every single moment of this movie stands out, and I was hooked throughout the entire runtime. This film probably has the best interpretation of the “rise and fall” gangster trope, Tommy Gibbs is a genuinely awful dude, but you still manage to sympathize with him and see brief glimpses of his humanity. Make no mistake though, Tommy Gibbs is more of a villain than an anti hero, almost everyone he comes in contact with either dies, or ends up meeting a tragic fate due to his self destructive greed. His ego is only rivaled by the main antagonist “mckinley” who might take the crown for one of the most rage inducing villains I’ve ever seen in a movie. Black Caesar is a film I would recommend to anybody, even if exploitation films aren’t your thing, it’s hard to not enjoy a film this explosive.
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Ruaidhri
Ruaidhri
Black Caesar
The only redeeming quality is James browns wowing voice
The only redeeming quality is James browns wowing voice
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Nick
Nick
Black Caesar
you can’t pin larry down can ya

light 7/10
you can’t pin larry down can ya

light 7/10
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Miles G
Black Caesar
The plot has way too much going on for how short this movie is
The plot has way too much going on for how short this movie is
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Noah
Noah
Black Caesar
Blaxploitation goes gangster, and fuck is it good. A fascinating and complex character study that explores oppression, ambition, and trauma. Never betrays it’s unempathetic depiction of violence by slipping too far into “male power fantasy” territory without also recognising the futility of that desire. The final 15 minutes might be one of the most intriguing examinations of the gangster genre ever put to film.
Blaxploitation goes gangster, and fuck is it good. A fascinating and complex character study that explores oppression, ambition, and trauma. Never betrays it’s unempathetic depiction of violence by slipping too far into “male power fantasy” territory without also recognising the futility of that desire. The final 15 minutes might be one of the most intriguing examinations of the gangster genre ever put to film.
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