Dope. Wears its influences heavily on its sleeves, with plenty of traces of Hitchcock, Polanski, and early giallos, which I’m never gonna complain about when it’s this well made. The inventive camerawork (De Palma’s split diopter obsession goes hard) and the Herrmann score are so good.
Dope. Wears its influences heavily on its sleeves, with plenty of traces of Hitchcock, Polanski, and early giallos, which I’m never gonna complain about when it’s this well made. The inventive camerawork (De Palma’s split diopter obsession goes hard) and the Herrmann score are so good.