❝I wanted to be with you forever and ever. Together again in Hell then.❞
•❅──────✧❅✦❅✧──────❅•
I went into Thirst with an idea of what to expect, considering it's a Park Chanwook film, but I ended up feeling very uncomfortable (in a good way).
I liked how vampirism was treated like a disease to be kept at bay, and not anything to do with religion, though I will say I kept expecting Sang-hyun to burst into flames when he was blessing the dying lady in hospital. The plot took a lot of turns, one of them being Tae-ju's character in general; I ended up really hating her while simultaneously being sympathetic. I loved the camerawork and visuals, although I could've done without such great sound design at times, and the soundtrack was beautiful. Song Kangho and Kim Okvin were both absolutely incredible, and Kim Haesook as usual was excellent as the villainous mother-in-law.
I did really like Thirst, and I haven't been this discomposed since (surprise surprise) Oldboy.
❝I wanted to be with you forever and ever. Together again in Hell then.❞
•❅──────✧❅✦❅✧──────❅•
I went into Thirst with an idea of what to expect, considering it's a Park Chanwook film, but I ended up feeling very uncomfortable (in a good way).
I liked how vampirism was treated like a disease to be kept at bay, and not anything to do with religion, though I will say I kept expecting Sang-hyun to burst into flames when he was blessing the dying lady in hospital. The plot took a lot of turns, one of them being Tae-ju's character in general; I ended up really hating her while simultaneously being sympathetic. I loved the camerawork and visuals, although I could've done without such great sound design at times, and the soundtrack was beautiful. Song Kangho and Kim Okvin were both absolutely incredible, and Kim Haesook as usual was excellent as the villainous mother-in-law.
I did really like Thirst, and I haven't been this discomposed since (surprise surprise) Oldboy.
