2007·Animation·50m
7.0
★
The story starts following an incident: a young girl jumps from the top of a building. The image provokes a certain dread, as the girl appears to have been a corpse even before she jumped. The case is dismissed, yet more and more of these suicides occur, and all from the same building. Thus began the rumour, that a ghost inhabited the rooftop of the building.
Directed by Ei Aoki
based on novel or book
supernatural
gore
super power
adult animation
seinen
anime
IMDB
N/A
Where to Watch
Cast
Maaya Sakamoto
Shiki Ryougi (voice)
Kenichi Suzumura
Mikiya Kokutou (voice)
Rie Tanaka
Kirie Fujou (voice)
Takako Honda
Touko Aozaki (voice)
Ayumi Fujimura
Azaka Kokutou (voice)
Eri Nakao
Reporter (voice)
Crew
Ei Aoki
Director
Yuki Kajiura
Original Music Composer
Yuichi Terao
Director of Photography
Atsuhiro Iwakami
Producer
Takashi Takeuchi
Producer
Masuo Ueda
Executive Producer
Takashi Takeuchi
Character Designer
Tomonori Sudo
Character Designer
Tomonori Sudo
Animation Director
Yoshikazu Iwanami
Sound Director
Katsushi Oota
Production Supervisor
Shizuo Kurahashi
Sound Effects
Popular Reviews
72 reviews
MikeainePRO
8.0★ · 06/22/26
N3.5/G4/M4/C3/X3
N3.5/G4/M4/C3/X3
kyok
6.0★ · 04/13/26
lowkirkenuinely forgot i watched all 8 of these like two years ago but im logging them now to feel better ab myself
lowkirkenuinely forgot i watched all 8 of these like two years ago but im logging them now to feel better ab myself
Yaz
5.0★ · 04/02/26
74/365
🤷♀️
🤷♀️
74/365
🤷♀️
🤷♀️
omeeeeer
5.0★ · 03/20/26
kaçmak için iki yol vardır. birisi amaç olmadan kaçmak diğeri bir amaçla kaçmak. genelde ilkine rastgele süzülüş, ikincisine de uçuş denir.
Tavus Kuşu Kanatları olduğu için kısa süreliğine süzülebilirmiş ama ağır gövdesi ve devasa kuyruğu yüzünden gerçek bir uçuş gerçekleştiremiyormuş.
Tavus Kuşu Kanatları olduğu için kısa süreliğine süzülebilirmiş ama ağır gövdesi ve devasa kuyruğu yüzünden gerçek bir uçuş gerçekleştiremiyormuş.
kaçmak için iki yol vardır. birisi amaç olmadan kaçmak diğeri bir amaçla kaçmak. genelde ilkine rastgele süzülüş, ikincisine de uçuş denir.
Tavus Kuşu Kanatları olduğu için kısa süreliğine süzülebilirmiş ama ağır gövdesi ve devasa kuyruğu yüzünden gerçek bir uçuş gerçekleştiremiyormuş.
Tavus Kuşu Kanatları olduğu için kısa süreliğine süzülebilirmiş ama ağır gövdesi ve devasa kuyruğu yüzünden gerçek bir uçuş gerçekleştiremiyormuş.
Buomilch
8.0★ · 01/27/26
Apart from being an essential piece of Nasuverse Lore and a must watch for fans of dark, psychological and supernatural stories the Garden of Sinners movies are some of the most cinematic in the anime medium.
It has a very distinct audio and visual style, fantastic scores throughout, splendid, atmospheric cinematography and great editing, which stand out the most in movies 2 and 5.
This first installment (4th chronologically) serves a great tonal and narrative introduction. The characters are well established and the central mystery is quite intriguing, no matter how often I watch this. I mainly like many of the conversations during the aftermath of the final fight: Tôko talking about “flight with and without purpose” and the two conversations between Mikiya and Shiki about the morality/convenience of suicide as well as the butterfly endangering itself, flying after the dragon-fly because it “tasted flight” (which seems to serve as a metaphor for Shiki’s and Mikiya’s connection/relationship).
It has a very distinct audio and visual style, fantastic scores throughout, splendid, atmospheric cinematography and great editing, which stand out the most in movies 2 and 5.
This first installment (4th chronologically) serves a great tonal and narrative introduction. The characters are well established and the central mystery is quite intriguing, no matter how often I watch this. I mainly like many of the conversations during the aftermath of the final fight: Tôko talking about “flight with and without purpose” and the two conversations between Mikiya and Shiki about the morality/convenience of suicide as well as the butterfly endangering itself, flying after the dragon-fly because it “tasted flight” (which seems to serve as a metaphor for Shiki’s and Mikiya’s connection/relationship).
Apart from being an essential piece of Nasuverse Lore and a must watch for fans of dark, psychological and supernatural stories the Garden of Sinners movies are some of the most cinematic in the anime medium.
It has a very distinct audio and visual style, fantastic scores throughout, splendid, atmospheric cinematography and great editing, which stand out the most in movies 2 and 5.
This first installment (4th chronologically) serves a great tonal and narrative introduction. The characters are well established and the central mystery is quite intriguing, no matter how often I watch this. I mainly like many of the conversations during the aftermath of the final fight: Tôko talking about “flight with and without purpose” and the two conversations between Mikiya and Shiki about the morality/convenience of suicide as well as the butterfly endangering itself, flying after the dragon-fly because it “tasted flight” (which seems to serve as a metaphor for Shiki’s and Mikiya’s connection/relationship).
It has a very distinct audio and visual style, fantastic scores throughout, splendid, atmospheric cinematography and great editing, which stand out the most in movies 2 and 5.
This first installment (4th chronologically) serves a great tonal and narrative introduction. The characters are well established and the central mystery is quite intriguing, no matter how often I watch this. I mainly like many of the conversations during the aftermath of the final fight: Tôko talking about “flight with and without purpose” and the two conversations between Mikiya and Shiki about the morality/convenience of suicide as well as the butterfly endangering itself, flying after the dragon-fly because it “tasted flight” (which seems to serve as a metaphor for Shiki’s and Mikiya’s connection/relationship).