South Central backdrop
South Central logo
1992·Crime·1h 39m
7.1
During a 10-year sentence for murdering the leader of a rival South Central Los Angeles gang, Bobby Johnson finds religion and rehabilitation with the help of Muslim inmate Ali. Upon his release, Bobby returns home to find that his young son, Jimmie, has joined the Deuces, his old crew. Tensions rise as Bobby struggles to convince Jimmie to leave the gang that was his only family during the painful years his absent father spent behind bars.
Directed by Stephen Milburn Anderson
prison
based on novel or book
nazi
gun
gang war
arrest
hood
los angeles, california
father son reunion
abuse
1980s
1990s
father son relationship
independent film

Cast

Glenn Plummer
Glenn Plummer
Bobby
Byron Minns
Byron Minns
Ray Ray
Lexie Bigham
Lexie Bigham
Bear
Vincent Craig Dupree
Vincent Craig Dupree
Loco
LaRita Shelby
LaRita Shelby
Carole
Carl Lumbly
Carl Lumbly
Ali
Vickilyn Reynolds
Vickilyn Reynolds
Willie's Wife
Kevin Best
Kevin Best
Genie Lamp
Sal Landi
Sal Landi
Detective
Reginald T. Dorsey
Reginald T. Dorsey
Bastille
Tim DeZarn
Tim DeZarn
Buddha
A. Michael Lerner
A. Michael Lerner
Broken Nose

Crew

Tim Truman
Tim Truman
Original Music Composer
Oliver Stone
Oliver Stone
Executive Producer
Janet Yang
Janet Yang
Producer
Jaki Brown
Jaki Brown
Casting
Julius LeFlore
Julius LeFlore
Stunt Coordinator

Popular Reviews

14 reviews
Ghoulie
Ghoulie
South Central
Overly melodramatic indie flick with a terrific central performance by Glenn Plummer, it's arguably the weakest of the classic hood films if only for a profoundly over the top and corny sense of vision for the black experience. That being said, SOUTH CENTRAL earns its classic reputation for two scenes, one being the "OG call" set piece and the absolutely sensational ending monologue. There's some other great moments (Ali's scene confronting Bobby for instance, no doubt an influence on Eamonn Walker's sublime work as Kareem Said on HBO's OZ), and unlike others I enjoy the score, but overall the film just hasn't aged as well os the other hood films that came before and after it. Also, Glenn Plummer deserved better than being reduced to stereotyped characters in movies like SPEED, SPEED 2, THE DAY AFTER TOMORROW and SAW II.
Overly melodramatic indie flick with a terrific central performance by Glenn Plummer, it's arguably the weakest of the classic hood films if only for a profoundly over the top and corny sense of vision for the black experience. That being said, SOUTH CENTRAL earns its classic reputation for two scenes, one being the "OG call" set piece and the absolutely sensational ending monologue. There's some other great moments (Ali's scene confronting Bobby for instance, no doubt an influence on Eamonn Walker's sublime work as Kareem Said on HBO's OZ), and unlike others I enjoy the score, but overall the film just hasn't aged as well os the other hood films that came before and after it. Also, Glenn Plummer deserved better than being reduced to stereotyped characters in movies like SPEED, SPEED 2, THE DAY AFTER TOMORROW and SAW II.
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alex lynn
alex lynn
South Central
Final scene makes the whole movie for me
Final scene makes the whole movie for me
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alex
alex
South Central
i don’t want to see you die in these streets.”

nowhere near as effective as menace 2 society, paid in full or boyz n the hood, but i can see where it was coming from in respects to that and even if it is fairly corny and kind of formulaic, it is at least watchable and enjoyable. it’s just very formulaic in that it goes “crime is bad, change is good” and it has those moments that talk about being black in america, feeling angry and disenfranchised, but they just never really come across well. the ending of this is kind of a mess too, and it ends to abruptly after a “see, we can be better.” moment that i didn’t even realize it has ended. i really can empathize with bobby’s situation and his want to change, but i don’t know, none of it feels organic. definitely look at other similar movies before watching this
i don’t want to see you die in these streets.”

nowhere near as effective as menace 2 society, paid in full or boyz n the hood, but i can see where it was coming from in respects to that and even if it is fairly corny and kind of formulaic, it is at least watchable and enjoyable. it’s just very formulaic in that it goes “crime is bad, change is good” and it has those moments that talk about being black in america, feeling angry and disenfranchised, but they just never really come across well. the ending of this is kind of a mess too, and it ends to abruptly after a “see, we can be better.” moment that i didn’t even realize it has ended. i really can empathize with bobby’s situation and his want to change, but i don’t know, none of it feels organic. definitely look at other similar movies before watching this
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The Director
The Director
South Central
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Sum Sum
Sum Sum
South Central
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