It isn't a matter of how, It's about why.

Why aren't we so much different to our own perceptions in the past as we still don't open up elsewhere to our deep faults from this minute on, is it just an excuse to put ourselves up to power or by a means of our own resentment when we only decide to wake up to these very windows and view racial differences as such, only objects to fetishize our validations to extreme degrees, Perhaps it's best to look down.

As long as the industry keeps up to aspire pur ongoing persistence to these horrific ideals until the sun blows up, The world will only continue sleeping.

Probably one of the bleakest films i've experienced this year so far.

It isn't a matter of how, It's about why.

Why aren't we so much different to our own perceptions in the past as we still don't open up elsewhere to our deep faults from this minute on, is it just an excuse to put ourselves up to power or by a means of our own resentment when we only decide to wake up to these very windows and view racial differences as such, only objects to fetishize our validations to extreme degrees, Perhaps it's best to look down.

As long as the industry keeps up to aspire pur ongoing persistence to these horrific ideals until the sun blows up, The world will only continue sleeping.

Probably one of the bleakest films i've experienced this year so far.

Absurd, funny, and at times even unsettling. The jokes and characters are genuinely memorable. The literal camera quality and visual style were also really interesting and gave the film a slightly experimental feeling that fit it perfectly.

I also liked Spike Lee’s way of exploring racism. The film puts the viewer, especially when laughing, in a position where you start thinking about what you’re actually laughing at. It touches on how Black traditions and culture have often been treated as comedy or entertainment for years, even though they can be just as personal and fragile as anyone else’s. But the film doesn’t really try to pick a side, and I think that’s important, especially because Pierre himself is Black and the creator of the show within the film.

Absurd, funny, and at times even unsettling. The jokes and characters are genuinely memorable. The literal camera quality and visual style were also really interesting and gave the film a slightly experimental feeling that fit it perfectly.

I also liked Spike Lee’s way of exploring racism. The film puts the viewer, especially when laughing, in a position where you start thinking about what you’re actually laughing at. It touches on how Black traditions and culture have often been treated as comedy or entertainment for years, even though they can be just as personal and fragile as anyone else’s. But the film doesn’t really try to pick a side, and I think that’s important, especially because Pierre himself is Black and the creator of the show within the film.

Fuck Michael Rapaport

Fuck Michael Rapaport

I liked that.

I liked that.

Super utilisation de la caméra numérique qui permet de changer de qualité, de jouer avec un aspect presque documentaire, presque caméra embarquée, ce qui renforce l'aspect réaliste du film. Et c'est hyper important de la mettre en contraste avec les situations qui sont absolument grotesques.

Super utilisation de la caméra numérique qui permet de changer de qualité, de jouer avec un aspect presque documentaire, presque caméra embarquée, ce qui renforce l'aspect réaliste du film. Et c'est hyper important de la mettre en contraste avec les situations qui sont absolument grotesques.