Seven Women, Seven Sins backdrop

Seven Women, Seven Sins

1986·Drama·1h 49m
7.1
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Directed by Chantal Akerman and Maxi Cohen and Valie Export and Ulrike Ottinger and Laurence Gavron and Bette Gordon and Helke Sander
woman director

Cast

Gabi Herz
Gabi Herz
Eva (segment "Gluttony")
Kate Valk
Kate Valk
Katherine (segment "Greed")
Rosemary Hochschild
Rosemary Hochschild
Prostitute (segment "Greed")
Roberta Wallach
Roberta Wallach
Woman in red (segment "Greed")
Suzanne Fletcher
Suzanne Fletcher
Blonde (segment "Greed")
Luis Guzmán
Luis Guzmán
Lotto Man (segment "Greed")
Alan Colmes
Alan Colmes
Participant (segment "Anger")
Louis Eppolito
Louis Eppolito
Himself (segment "Anger")
Chantal Akerman
Chantal Akerman
Film Director (segment Portrait d'une Paresseuse)
Susanne Widl
Susanne Widl
Nellie (segment "Lust")
Peter Weibel
Peter Weibel
Politician (segment "Lust")
Ged Marlon
Ged Marlon
Armand (segment "Envy")

Crew

Chantal Akerman
Chantal Akerman
Director
Maxi Cohen
Maxi Cohen
Director
Valie Export
Valie Export
Director
Ulrike Ottinger
Ulrike Ottinger
Director
Bette Gordon
Bette Gordon
Director
Helke Sander
Helke Sander
Director
Helke Sander
Helke Sander
Writer
Renée Shafransky
Renée Shafransky
Writer
Maxi Cohen
Maxi Cohen
Writer
Chantal Akerman
Chantal Akerman
Writer
Valie Export
Valie Export
Writer
Louis-Charles Sirjacq
Louis-Charles Sirjacq
Writer

Popular Reviews

4 reviews
vilaney
vilaney
Seven Women, Seven Sins
while i find most anthology films to fall pretty flat due to an excess of contradictory messaging and themes, and incoherent inconsistencies in quality, this one was quite dynamic and, due to a clear structure and thematic device, flowed very well. i'll just briefly go into the individual parts, since they are do different, rather than talking in generalities... so, gluttony was first, and, likewise, presented the ur-sin (eve's temptation), which i felt it did well enough and with very fun effects at that, thought it didn't feel as multifaceted as the other parts (7/10); greed was second, and i have to say that i really did enjoy this one! it was well acted, well written, and i enjoyed the cyclical structure, elucidating the meaning (9/10); anger was third, and was definitely my favourite!.. what can i say? i love new york shit, and the style of things created there within this sort of time period is simply magic to me. i think that it perfectly captured what it meant to (anger), while simultaneously evoking other emotions and behaving as a piece that could work on its own, devoid of the context provided by being in the wider film (10/10); sloth was fourth and, while it was enjoyable, it was kind of forgettable for me, not bad, but with all the aesthetic noise of others, something so minimal does get drowned out a little... wouldve been better longer, i think (7/10); lust was fifth and... very german. smth smth consumerism and sex smth smth VERY GERMAN. loved the mcdonalds billboard barwoman, oh and cow hair man... cant forget him (8/10); envy was the penultimate entry, and it was ok. cool premise, well executed, just probably the weakest of the bunch, though it was still leaps and bounds beyond what they did in xx... chilling stuff, anyway! (6/10); and finally we have pride, which was a colourful and very well done finish to the project, though i cant say i grasped everything that it was going for. a visually stunning piece that utilised archival footage in a cool way, but yeah i see why some people find elements problematic (8/10)...
while i find most anthology films to fall pretty flat due to an excess of contradictory messaging and themes, and incoherent inconsistencies in quality, this one was quite dynamic and, due to a clear structure and thematic device, flowed very well. i'll just briefly go into the individual parts, since they are do different, rather than talking in generalities... so, gluttony was first, and, likewise, presented the ur-sin (eve's temptation), which i felt it did well enough and with very fun effects at that, thought it didn't feel as multifaceted as the other parts (7/10); greed was second, and i have to say that i really did enjoy this one! it was well acted, well written, and i enjoyed the cyclical structure, elucidating the meaning (9/10); anger was third, and was definitely my favourite!.. what can i say? i love new york shit, and the style of things created there within this sort of time period is simply magic to me. i think that it perfectly captured what it meant to (anger), while simultaneously evoking other emotions and behaving as a piece that could work on its own, devoid of the context provided by being in the wider film (10/10); sloth was fourth and, while it was enjoyable, it was kind of forgettable for me, not bad, but with all the aesthetic noise of others, something so minimal does get drowned out a little... wouldve been better longer, i think (7/10); lust was fifth and... very german. smth smth consumerism and sex smth smth VERY GERMAN. loved the mcdonalds billboard barwoman, oh and cow hair man... cant forget him (8/10); envy was the penultimate entry, and it was ok. cool premise, well executed, just probably the weakest of the bunch, though it was still leaps and bounds beyond what they did in xx... chilling stuff, anyway! (6/10); and finally we have pride, which was a colourful and very well done finish to the project, though i cant say i grasped everything that it was going for. a visually stunning piece that utilised archival footage in a cool way, but yeah i see why some people find elements problematic (8/10)...
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Clint Eastwood
Clint Eastwood
Seven Women, Seven Sins
(SFSU CINE 325: Focus on Emerging Cinemas: Avante Garde Cinema and Media Arts — “Transnational Experimental Television” — Das Kleine Fernsehspiel) Film screening #4

Ranked:
1. Sloth
2. Anger
3. Envy
4. Gluttony
5. Greed
6. Lust
7. Pride
(SFSU CINE 325: Focus on Emerging Cinemas: Avante Garde Cinema and Media Arts — “Transnational Experimental Television” — Das Kleine Fernsehspiel) Film screening #4

Ranked:
1. Sloth
2. Anger
3. Envy
4. Gluttony
5. Greed
6. Lust
7. Pride
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Donkles
Donkles
Seven Women, Seven Sins
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sophia
sophiaPRO
Seven Women, Seven Sins
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