In Order Not to Be Here

It’s giving backrooms

It’s giving backrooms

23 years later yet this feels less like a time capsule and more like a warning perpetually ignored.

23 years later yet this feels less like a time capsule and more like a warning perpetually ignored.

Surveillance is a weapon with a global blast radius.

The parking lot of a target. The fence three blocks down from you. The ATM off of Edward Avenue two towns over. It’s all recorded important or not. It doesn’t matter what the video feed is capturing as long as it’s taking in information.

Plato’s cave has become outdated. We have entered a history of fire, shadows, and video feeds. 

How would that make you feel? How does it make you feel?

Surveillance is a weapon with a global blast radius.

The parking lot of a target. The fence three blocks down from you. The ATM off of Edward Avenue two towns over. It’s all recorded important or not. It doesn’t matter what the video feed is capturing as long as it’s taking in information.

Plato’s cave has become outdated. We have entered a history of fire, shadows, and video feeds. 

How would that make you feel? How does it make you feel?

Curioso cortometraje que nos enseña lo verdaderamente escalofriante que puede ser la arquitectura sin intención alguna de serlo. Las dos escenas largas de la persecución con helicóptero podrían haber sido algo más cortas, pero todo el resto, sin diálogos ni personajes, me dió más miedo que todo lo que vi en octubre.

Curioso cortometraje que nos enseña lo verdaderamente escalofriante que puede ser la arquitectura sin intención alguna de serlo. Las dos escenas largas de la persecución con helicóptero podrían haber sido algo más cortas, pero todo el resto, sin diálogos ni personajes, me dió más miedo que todo lo que vi en octubre.

Skinamarink but outside?!?!

Skinamarink but outside?!?!