Ulysse

Mega chèvre qui mange une image de chèvre je t’aime TELLEMENT

Mega chèvre qui mange une image de chèvre je t’aime TELLEMENT

A short film where Agnes varda reflects on a photograph taken 30 years ago featuring a naked man a naked child and a dead goat lying on the beach in calais. She goes on an odyssey to trace the memories of the past and the subjects of the photograph. 
The photograph is named after one of her subject, a child named ulysse. Through out and later in the film,Varda explains how and what drew her to  capture the reality the present which now , is nothing more than a still-image,  and a shadow of the past creating the illusion of an enigmatic  reality much like the “cave image of Plato.”
She interprets her photography through several symbolism 
About how the image is fluid and ambiguous and can be interpreted by what you think your basis of its reality is and diving into her own symbolism of the image , Connecting her subjects to the Greek mythology of Odyssey also known as Ulysse.

A short film where Agnes varda reflects on a photograph taken 30 years ago featuring a naked man a naked child and a dead goat lying on the beach in calais. She goes on an odyssey to trace the memories of the past and the subjects of the photograph. 
The photograph is named after one of her subject, a child named ulysse. Through out and later in the film,Varda explains how and what drew her to  capture the reality the present which now , is nothing more than a still-image,  and a shadow of the past creating the illusion of an enigmatic  reality much like the “cave image of Plato.”
She interprets her photography through several symbolism 
About how the image is fluid and ambiguous and can be interpreted by what you think your basis of its reality is and diving into her own symbolism of the image , Connecting her subjects to the Greek mythology of Odyssey also known as Ulysse.

A short film where Agnes varda reflects on a photograph taken 30 years ago featuring a naked man a naked child and a dead goat lying on the beach in calais. She goes on an odyssey to trace the memories of the past and the subjects of the photograph. The photograph is named after one of her subject, a child named ulysse. Through out and later in the film,Varda explains how and what drew her to  capture the reality the present which now , is nothing more than a still-image,  and a shadow of the past creating the illusion of an enigmatic  reality much like the “cave image of Plato.”She interprets her photography through several symbolism About how the image is fluid and ambiguous and can be interpreted by what you think your basis of its reality is and diving into her own symbolism of the image , Connecting her subjects to the Greek mythology of Odyssey also known as Ulysse.

A short film where Agnes varda reflects on a photograph taken 30 years ago featuring a naked man a naked child and a dead goat lying on the beach in calais. She goes on an odyssey to trace the memories of the past and the subjects of the photograph. The photograph is named after one of her subject, a child named ulysse. Through out and later in the film,Varda explains how and what drew her to  capture the reality the present which now , is nothing more than a still-image,  and a shadow of the past creating the illusion of an enigmatic  reality much like the “cave image of Plato.”She interprets her photography through several symbolism About how the image is fluid and ambiguous and can be interpreted by what you think your basis of its reality is and diving into her own symbolism of the image , Connecting her subjects to the Greek mythology of Odyssey also known as Ulysse.

73.9/100

73.9/100