this counts as revision for my history exam

this counts as revision for my history exam

Enfinnnn, ça faisait si longtemps que je voulais voir ce film haha

Ça va franchement sympathique, après c'est vrai qu'ethiquement on peut se poser la question du est-ce que c'était si nécessaire que ça de tourner en partie le film au vrai Rillington Place (aka l'endroit où tous les meurtres se sont déroulés si vous saviez pas) mais en tout cas j'ai adoré le frangin de David (monsieur je fais des documentaires animaliers) Attenborough (je parle de Richard du coup hein)

Enfinnnn, ça faisait si longtemps que je voulais voir ce film haha

Ça va franchement sympathique, après c'est vrai qu'ethiquement on peut se poser la question du est-ce que c'était si nécessaire que ça de tourner en partie le film au vrai Rillington Place (aka l'endroit où tous les meurtres se sont déroulés si vous saviez pas) mais en tout cas j'ai adoré le frangin de David (monsieur je fais des documentaires animaliers) Attenborough (je parle de Richard du coup hein)

absolutely vile person. breaks my heart knowing this is a real story, that poor family. all murdered/executed for no reason whatsoever.

absolutely vile person. breaks my heart knowing this is a real story, that poor family. all murdered/executed for no reason whatsoever.

grimy and disturbing

grimy and disturbing

Attenborough is so chilling here as real life serial killer Christie. The slow buildup starts with one of his kills but then presents us with a domestic drama where his threat is only lurking in the background. It’s an incredible choice that has us immediately not trusting him and flirting with the dramatic irony of this new couple in the building stuck in a situation that requires outside help. The exploration of abortion in the film is pertinent to today. I like how the film keeps this tense energy throughout the first and second acts, only to shift to a courtroom drama in the third act. It’s a great move that only heightens Attenborough’s frightening portrayal.

Attenborough is so chilling here as real life serial killer Christie. The slow buildup starts with one of his kills but then presents us with a domestic drama where his threat is only lurking in the background. It’s an incredible choice that has us immediately not trusting him and flirting with the dramatic irony of this new couple in the building stuck in a situation that requires outside help. The exploration of abortion in the film is pertinent to today. I like how the film keeps this tense energy throughout the first and second acts, only to shift to a courtroom drama in the third act. It’s a great move that only heightens Attenborough’s frightening portrayal.