

1973·Crime·1h 54m
7.1
★














A short Arizona motorcycle cop gets his wish and is promoted to Homicide following the mysterious murder of a hermit. He is forced to confront his illusions about himself and those around him in order to solve the case, eventually returning to solitude in the desert.
Directed by James William Guercio
arizona
rifle
gunfight
gunshot
good cop bad cop
homicide detective
highway patrol
motorcycle chase
unstable cop
motorcycle cop
homicide investigation
southwest desert
corrupt cop
cop shoots cop

Trailer

IMDB
N/A
Where to Watch

Cast

Robert Blake
John Wintergreen

Billy Green Bush
Zipper

Jeannine Riley
Jolene

Elisha Cook Jr.
Willie

Royal Dano
Coroner

Mitchell Ryan
Harve Poole

Hawk Wolinski
VW Bus Driver

Peter Cetera
Bob Zemko

Terry Kath
Killer

Lee Loughnane
Pig Man

Walter Parazaider
Loose Lips

Susan Forristal
Ice Cream Girl
Crew

James William Guercio
Director

Robert Boris
Screenplay

James William Guercio
Original Music Composer

Conrad Hall
Director of Photography

James William Guercio
Producer

Dan Perri
Title Designer

Robert Boris
Story

Bill Hickman
Second Unit Director

Richard A. Kelley
Second Unit Director of Photography

Bud Ekins
Stunt Coordinator
Popular Reviews
11 reviews
MechaniChris
6.0★ · 08/18/25

Man, 70’s movies would just end that way, huh?
Man, 70’s movies would just end that way, huh?
Jacob Paddison
8.0★ · 06/22/25

The most clearcut entry into the *Las Venturas canon yet, this is Electra Glide in Blue* and it's a damn nihilistic one. The Western turned on its head — where bikes replace horses, hippies replace outlaws, and idealism is snuffed out at every junction. One of those ones where the final shot literally makes the film — everything before it was setting up for the cruel one-two gut punch-line. It's not a comedy or in anyway experimental or surreal, but this has to be one of the most offbeat films I've seen. Almost every scene feels off to some degree as if something is just beneath the surface ready to burst (and in some sequences it does break on through to the other side). Unconventionally inexplicable in an inordinately unexplainable manner.
The most clearcut entry into the *Las Venturas canon yet, this is Electra Glide in Blue* and it's a damn nihilistic one. The Western turned on its head — where bikes replace horses, hippies replace outlaws, and idealism is snuffed out at every junction. One of those ones where the final shot literally makes the film — everything before it was setting up for the cruel one-two gut punch-line. It's not a comedy or in anyway experimental or surreal, but this has to be one of the most offbeat films I've seen. Almost every scene feels off to some degree as if something is just beneath the surface ready to burst (and in some sequences it does break on through to the other side). Unconventionally inexplicable in an inordinately unexplainable manner.
Trizzo
5.3★ · 05/18/25

Slow burn 70s cop caper with a surprising amount of heart. Pretty mediocre movie. Nothing much stood out to me except for that gorgeous final shot.
Title card rating: 5/10
Title card rating: 5/10
Slow burn 70s cop caper with a surprising amount of heart. Pretty mediocre movie. Nothing much stood out to me except for that gorgeous final shot.
Title card rating: 5/10
Title card rating: 5/10
The
8.0★ · 01/08/23

Really interesting inversion of Easy Rider that’s just as shaggy but a touch meaner and with a little more plot.
Really interesting inversion of Easy Rider that’s just as shaggy but a touch meaner and with a little more plot.
Cestlameremichel
7.0★ · 06/01/26
