In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.
Directed by Régis Wargnier
vietnam
civil war
love of one's life
parent child relationship
nationalism
adoption
arranged marriage
plantation
longing
saigon
naval officer
indochina
extramarital affair
vietnamese
theater troupe
french colonialism
exotic locale
1940s
1950s
1930s
adopted daughter
french navy
revolutionaries
nationalist separatism
powerful woman
harvest workers
tragic heroine
plantation owner
french indochina war
indochine
rubber plantation
fugitive lovers
mother and daughter love same man
french naval officer
IMDB
N/A
Where to Watch
Cast
Catherine Deneuve
Eliane Devries
Vincent Perez
Jean-Baptiste Le Guen
Linh-Dan Pham
Camille
Jean Yanne
Guy Asselin
Dominique Blanc
Yvette
Alain Fromager
Dominique
Eric Nguyen
Tanh
Henri Marteau
Emile Devries
Carlo Brandt
Castellani
Gérard Lartigau
L'Admiral
Hubert Saint-Macary
Raymond
Andrzej Seweryn
Hebrard
Crew
Régis Wargnier
Director
Erik Orsenna
Screenplay
Régis Wargnier
Screenplay
Louis Gardel
Screenplay
Patrick Doyle
Original Music Composer
François Catonné
Director of Photography
Éric Heumann
Producer
Jean Labadie
Producer
Jacques Bufnoir
Production Design
Jacques Monge
Camera Operator
Gabriella Pescucci
Costume Design
Pierre-Yves Gayraud
Costume Design
Popular Reviews
25 reviews
ashton
i only got to see the last like 50 minutes of this movie because i missed the other 2 classes where we were watching it but after watching the last 59 i have no desire to go back and actually watch the whole thing. this movie is visually very pretty like it makes alot of sense it won awards for that specifically. on the other hand the main character is actually so retarded. my teacher mentioned later in the class that she exclaims that she does not belong in france because in her words “im asian i dont eat apples i eat mangos” thats actually gotta be the dumbest shit ive ever heard. the scene where eliane is visiting her old plantation and cutting the rubber tree herself is such a painfully oblivious scene. like why the fuck am i going to feel bad for this woman she is a white woman within this country she is not “asian” like she claims shes literally jst another colonial force taking advantage of the Vietnamese people and profiting off of them. she has no place in vietnam really in the first place she is part of the problem. i dont like the way this movie babys her and has like no critical voice against her we are jst supposed to be like aww poor her. you are not vietnamese person u are a white woman who OWNS A PLANTATION like dude fuck off
i only got to see the last like 50 minutes of this movie because i missed the other 2 classes where we were watching it but after watching the last 59 i have no desire to go back and actually watch the whole thing. this movie is visually very pretty like it makes alot of sense it won awards for that specifically. on the other hand the main character is actually so retarded. my teacher mentioned later in the class that she exclaims that she does not belong in france because in her words “im asian i dont eat apples i eat mangos” thats actually gotta be the dumbest shit ive ever heard. the scene where eliane is visiting her old plantation and cutting the rubber tree herself is such a painfully oblivious scene. like why the fuck am i going to feel bad for this woman she is a white woman within this country she is not “asian” like she claims shes literally jst another colonial force taking advantage of the Vietnamese people and profiting off of them. she has no place in vietnam really in the first place she is part of the problem. i dont like the way this movie babys her and has like no critical voice against her we are jst supposed to be like aww poor her. you are not vietnamese person u are a white woman who OWNS A PLANTATION like dude fuck off
Kiara Co
7.0★ · 11/06/25
alors... francophile'd too hard tht theres a part of me whos also interested in vietnamese history.
the french are great storytellers and i always liked the many things about their culture esp the art. i grew up with the culture. however they rlly need to stop with this sub genre. this is giving miss saigon with french creators (considered a british musical). like great storytelling and on a prestigious scale yet theres some underlying icks to it. just seeing southeast asians on screen under this caliber is kinda jarring. its so uncomfortable seeing a colonized nation's narrative and their ppl get told by the colonizer nation. so sick of seeing naked asian women for the white male gaze.
it was always so weird to me how the americans/hollywood made vietnam war movies bc they were made so "immediate" imo??
im aware of french x vietnamese cinema. idk how i feel about this specific sub genre narrative made by the french in french cinema. this wasn't a bad movie but i don't blame ppl for thinking its "propaganda." not surprised it won an academy. i only ever seen other third gen/mixed east asian-americans pull off the french language. u would think i would've seen vietnamese ppl speak french by now. the french language is just a significantly valid as the english language too.
anyways... catherine deneuve was another reason why i gave this to watch.
alors... francophile'd too hard tht theres a part of me whos also interested in vietnamese history.
the french are great storytellers and i always liked the many things about their culture esp the art. i grew up with the culture. however they rlly need to stop with this sub genre. this is giving miss saigon with french creators (considered a british musical). like great storytelling and on a prestigious scale yet theres some underlying icks to it. just seeing southeast asians on screen under this caliber is kinda jarring. its so uncomfortable seeing a colonized nation's narrative and their ppl get told by the colonizer nation. so sick of seeing naked asian women for the white male gaze.
it was always so weird to me how the americans/hollywood made vietnam war movies bc they were made so "immediate" imo??
im aware of french x vietnamese cinema. idk how i feel about this specific sub genre narrative made by the french in french cinema. this wasn't a bad movie but i don't blame ppl for thinking its "propaganda." not surprised it won an academy. i only ever seen other third gen/mixed east asian-americans pull off the french language. u would think i would've seen vietnamese ppl speak french by now. the french language is just a significantly valid as the english language too.
anyways... catherine deneuve was another reason why i gave this to watch.
Gagugugue
4.0★ · 09/13/25
Gros film de colons mais le boug était très beau par contre Les plans étaient vrm très beaux
Gros film de colons mais le boug était très beau par contre Les plans étaient vrm très beaux
Yamani
7.0★ · 06/14/25
les perfs de Catherine Deneuve et Vincent Perez sont vraiment bonne le film est bon mais j'avoue qu'il n'a jamais réellement réussi a me tenir en haleine
les perfs de Catherine Deneuve et Vincent Perez sont vraiment bonne le film est bon mais j'avoue qu'il n'a jamais réellement réussi a me tenir en haleine
anna
6.8★ · 09/27/24
weird thought but i feel like this would function better as a stage play with its pacing and melodrama i think it was thrive on a stage and didn’t quite take advantage of the tools provided by film as opposed to another medium
weird thought but i feel like this would function better as a stage play with its pacing and melodrama i think it was thrive on a stage and didn’t quite take advantage of the tools provided by film as opposed to another medium