Welcome II the Terrordome backdrop
Welcome II the Terrordome logo
1995·Science Fiction·1h 30m
7.1
Spike and his sister Anjela live in the Terrordome, a huge ghetto that all the blacks have been forced to live in. Jodie, Spike's pregnant white girlfriend, ran away from an abusive white boyfriend who, after seeing her with Spike, sets up a trap for her. Spike's 11-year old nephew Hector dies as a result of this trap, and Anjela, finding the body of her son, goes on a police-killing rampage. Her apprehension sets off tension between Spike and his brother-in-law, as a race war broods inside the Terrordome.
Directed by Ngozi Onwurah
woman director

Cast

Suzette Llewellyn
Suzette Llewellyn
Anjela McBride / African Woman
Saffron Burrows
Saffron Burrows
Jodie
Valentine Nonyela
Valentine Nonyela
Spike / African Man
Sian Ejiwunmi-Le Berre
Sian Ejiwunmi-Le Berre
Chrisele / African Woman
Brian Bovell
Brian Bovell
Officer Bovell / Slave Hand
Euan Macnaughton
Euan Macnaughton
Jasper / Overseer

Crew

Ngozi Onwurah
Ngozi Onwurah
Director
Ngozi Onwurah
Ngozi Onwurah
Writer
John Murphy
John Murphy
Original Music Composer
Alwin H. Küchler
Alwin H. Küchler
Director of Photography
Joel Phiri
Joel Phiri
Producer

Popular Reviews

9 reviews
Nick
Nick
Welcome II the Terrordome
such a weird movie

6/10
such a weird movie

6/10
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jo
jo
Welcome II the Terrordome
Soundtrack so good
Soundtrack so good
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gus
gus
Welcome II the Terrordome
truly don’t know what to say
truly don’t know what to say
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lik
lik
Welcome II the Terrordome
the culmination of years of oppression in one spiel of unbridled british rage
the culmination of years of oppression in one spiel of unbridled british rage
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Kris
Kris
Welcome II the Terrordome
Without a doubt the flaws & amateurism are way too evident, but aesthetically the influences of blaxploitation helps to achieve a similar look to 90s gangsta rap videos, creating a raw & visceral portray of dispossession. The problem is in the reactionary dichotomy of “good vs bad” & the final scene that contradicts the pace. The denounce about police brutality is a highlight, which, sadly, is still relevant
Without a doubt the flaws & amateurism are way too evident, but aesthetically the influences of blaxploitation helps to achieve a similar look to 90s gangsta rap videos, creating a raw & visceral portray of dispossession. The problem is in the reactionary dichotomy of “good vs bad” & the final scene that contradicts the pace. The denounce about police brutality is a highlight, which, sadly, is still relevant
Favorite
Comment
Welcome II the Terrordome (1995) | Flick