Crossfire backdrop
Crossfire logo
1947·Crime·1h 26m
7.1
A man is murdered, apparently by one of a group of soldiers just out of the army. But which one? And why?
Directed by Edward Dmytryk
army
film noir
antisemitism
soldier

Cast

Robert Young
Robert Young
Finlay
Robert Mitchum
Robert Mitchum
Peter Keeley
Robert Ryan
Robert Ryan
Montgomery
Gloria Grahame
Gloria Grahame
Virginia "Ginny" Tremayne
Paul Kelly
Paul Kelly
The Man
Sam Levene
Sam Levene
Samuels
Jacqueline White
Jacqueline White
Mary Mitchell
Steve Brodie
Steve Brodie
Floyd
George Cooper
George Cooper
Mitchell
Richard Benedict
Richard Benedict
Bill
Tom Keene
Tom Keene
Detective
William Phipps
William Phipps
Leroy

Crew

Edward Dmytryk
Edward Dmytryk
Director
Roy Webb
Roy Webb
Original Music Composer
Richard Brooks
Richard Brooks
Novel
Dore Schary
Dore Schary
Presenter
C. Bakaleinikoff
C. Bakaleinikoff
Music Director
Albert S. D'Agostino
Albert S. D'Agostino
Art Direction

Popular Reviews

40 reviews
Ellie Holmes
Ellie HolmesPRO
Crossfire
This felt very progressive in many ways but also was quite predictable from early on and ik it wasnt a real whodunnit cos we are meant to work out whodunnit fairly quickly but still
This felt very progressive in many ways but also was quite predictable from early on and ik it wasnt a real whodunnit cos we are meant to work out whodunnit fairly quickly but still
Favorite
Comment
Jack
Jack
Crossfire
Not my cup of tea I guess
Not my cup of tea I guess
Favorite
Comment
Kyra
Kyra
Crossfire
“I didn’t wanna hear nobody yell at nobody.” - the same sentiment I have when drinking and overstimulated at the function

Give me more scenes with Ginny’s simp. His dialogue scratches the itch for that classic noir-speak so well.
“I didn’t wanna hear nobody yell at nobody.” - the same sentiment I have when drinking and overstimulated at the function

Give me more scenes with Ginny’s simp. His dialogue scratches the itch for that classic noir-speak so well.
Favorite
Comment
Ghoulie
Ghoulie
Crossfire
Ultra stylish and well-written little noir which replaces its (horrendous) source material's theme of gay-bashing with anti-semitism is obviously a very personal story for marginalized director Dmytryk. Performances are solid, including a wonderful turn by young Robert Ryan, and an all-around engaging story turn this long-forgotten film into quite the unheralded gem.

Thanks for reminding us of this, Criterion. Great pick for Noirvember.
Ultra stylish and well-written little noir which replaces its (horrendous) source material's theme of gay-bashing with anti-semitism is obviously a very personal story for marginalized director Dmytryk. Performances are solid, including a wonderful turn by young Robert Ryan, and an all-around engaging story turn this long-forgotten film into quite the unheralded gem.

Thanks for reminding us of this, Criterion. Great pick for Noirvember.
Favorite
Comment
Mel Rygus
Mel RygusPRO
Crossfire
Happy Noirvember to all who celebrate! 

Starting off strong with a post-war film starring my #1 cleft chin in the biz- Robert Mitchum (and two other Roberts) firing off dialogue at 100 wpm. I didn’t ultimately love the story, I felt like it could have taken things farther and darker than it ultimately did, but overall a worthy start to a month full of chain smoking, finger waves and shadows, shadows and more shadows.
Happy Noirvember to all who celebrate! 

Starting off strong with a post-war film starring my #1 cleft chin in the biz- Robert Mitchum (and two other Roberts) firing off dialogue at 100 wpm. I didn’t ultimately love the story, I felt like it could have taken things farther and darker than it ultimately did, but overall a worthy start to a month full of chain smoking, finger waves and shadows, shadows and more shadows.
Favorite
Comment