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1973·Drama·1h 50m
7.1
A recently-released convict becomes the most powerful pimp in Oakland, but tragedy ensues when his activities draw the ire of two corrupt cops and the crime lord he once worked for.
Directed by Michael Campus
pimp
blaxploitation cinema

Cast

Max Julien
Max Julien
Goldie
Don Gordon
Don Gordon
Hank
Richard Pryor
Richard Pryor
Slim
Carol Speed
Carol Speed
Lulu
George Murdock
George Murdock
Fatman
Dick Anthony Williams
Dick Anthony Williams
Pretty Tony
Roger E. Mosley
Roger E. Mosley
Olinga
Juanita Moore
Juanita Moore
Mother
William Watson
William Watson
Jed
Paul Harris
Paul Harris
Blind Man
Annazette Chase
Annazette Chase
China Doll
Fritz Ford
Fritz Ford
Desk Sgt.

Crew

Michael Campus
Michael Campus
Director

Popular Reviews

6 reviews
elzy
elzy
The Mack
the outfits were quite impressive. i want a fur coat too (but his hats were not it im sorry 😭😭)
the outfits were quite impressive. i want a fur coat too (but his hats were not it im sorry 😭😭)
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Scott
Scott
The Mack
One of the most unintentional funniest movies ever
One of the most unintentional funniest movies ever
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Ale
Ale
The Mack
I was blown away by The Mack. I did not expect to see such a straightforward drama from a film that has been referenced by so many gangsta rappers. It stands out from all other blaxploitation films I’ve seen that almost always have a sense of ironic humor. This film instead goes for almost pure realism that is ambivalent towards Goldie’s actions. There are montage scenes that look almost like modern rap music videos in their indulgence in excess contrasted with scenes of grim, unembellished scenes of violence and some of the most misogynistic dialogue you’ll ever hear. The condemnation of this type of lifestyle is not groundbreaking but this film demonstrates a self-awareness I have not seen in any other blaxploitation film. It understands the importance of Black people to feel empowered while also remaining skeptical of the paths to empowerment that have been presented to Black youth. It’s far from didactic, which I appreciate. Instead, it presents many of the arguments in the Black community in a surprisingly nuanced way that demonstrates empathy for Goldie while also showing the devastating consequences of his actions. This is all underscored by Juanita Moore’s performance as Goldie’s mother. In the few scenes where she’s featured, she commands the screen with her powerfully melodramatic performance that rivals her performance in Douglas Sirk’s Imitation of Life. Her performance takes us through the emotional stages of the film that starts with desperation, later transformed into momentary elation that is inevitably cut short by tragedy.
I was blown away by The Mack. I did not expect to see such a straightforward drama from a film that has been referenced by so many gangsta rappers. It stands out from all other blaxploitation films I’ve seen that almost always have a sense of ironic humor. This film instead goes for almost pure realism that is ambivalent towards Goldie’s actions. There are montage scenes that look almost like modern rap music videos in their indulgence in excess contrasted with scenes of grim, unembellished scenes of violence and some of the most misogynistic dialogue you’ll ever hear. The condemnation of this type of lifestyle is not groundbreaking but this film demonstrates a self-awareness I have not seen in any other blaxploitation film. It understands the importance of Black people to feel empowered while also remaining skeptical of the paths to empowerment that have been presented to Black youth. It’s far from didactic, which I appreciate. Instead, it presents many of the arguments in the Black community in a surprisingly nuanced way that demonstrates empathy for Goldie while also showing the devastating consequences of his actions. This is all underscored by Juanita Moore’s performance as Goldie’s mother. In the few scenes where she’s featured, she commands the screen with her powerfully melodramatic performance that rivals her performance in Douglas Sirk’s Imitation of Life. Her performance takes us through the emotional stages of the film that starts with desperation, later transformed into momentary elation that is inevitably cut short by tragedy.
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Matthew Cortez
Matthew Cortez
The Mack
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Austinwatches
Austinwatches
The Mack
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