Alexandria, Private backdrop
Alexandria, Private logo
2005·Crime·1h 35m
7.0
When a woman is accused of a high-profile murder, a young lawyer takes on her defense, only to uncover a web of secrets, deceit, and hidden motives. As he digs deeper, the case becomes more personal—and far more dangerous than he ever expected.
Directed by Sandra Nashaat

Cast

Ahmed Ezz
Ahmed Ezz
أدهم
Ghada Adel
Ghada Adel
سحر عبد المجيد
Khaled Saleh
Khaled Saleh
منتصر
Mahmoud Abdel Moghny
Mahmoud Abdel Moghny
فتحي
Nour
Nour
ليلي
Mohamed Ragab
Mohamed Ragab
معتز حسين نصحي
Reham Abdelghafour
Reham Abdelghafour
رشا حسين نصحي
Khaled Zaki
Khaled Zaki
حسين نصحي
Nedal Al Shafeay
Nedal Al Shafeay
طلعت المحامي
Sameh El-Sereety
Sameh El-Sereety
شوقي المحامي
Sandy Ali
Sandy Ali
انجي السكرتيره
Mohsen Mansour
Mohsen Mansour
صلاح

Crew

Sandra Nashaat
Sandra Nashaat
Director
Mohamed Hefzy
Mohamed Hefzy
Writer
Yasser Abdel Rahman
Yasser Abdel Rahman
Original Music Composer
Mona Rabie
Mona Rabie
Editor
Nezar Shaker
Nezar Shaker
Director of Photography
Samira Mohsen
Samira Mohsen
Producer

Popular Reviews

15 reviews
Saleh
Saleh
Alexandria, Private
Don’t get the hype tbh
Don’t get the hype tbh
Favorite
Comment
Youssef Amr
Youssef Amr
Alexandria, Private
Great movie. Ahmed Ezz’s best role by far (he is at his best when playing an egotistical, jerk). Nour just demands your attention in every scene she’s in, Ghada Adel was also amazing. Khaled Saleh is so iconic it’s almost not fair. Sandra Nashaat is easily one of the best directors in Egypt (where is she now?), the cinema work, shot choices, and chase scenes are seriously amazing, except one thing that really got under my skin; that might have been the weirdest and most out of place use of a Dolly-zoom I’ve ever seen.
Great movie. Ahmed Ezz’s best role by far (he is at his best when playing an egotistical, jerk). Nour just demands your attention in every scene she’s in, Ghada Adel was also amazing. Khaled Saleh is so iconic it’s almost not fair. Sandra Nashaat is easily one of the best directors in Egypt (where is she now?), the cinema work, shot choices, and chase scenes are seriously amazing, except one thing that really got under my skin; that might have been the weirdest and most out of place use of a Dolly-zoom I’ve ever seen.
Favorite
Comment
nour
nour
Alexandria, Private
عامةً من و انا صغيرة المشهد الاخير و خصوصا الغنية بتاعته كانت بتخليني اعيط
عامةً من و انا صغيرة المشهد الاخير و خصوصا الغنية بتاعته كانت بتخليني اعيط
Favorite
Comment
Seif8
Seif8
Alexandria, Private
Favorite
Comment
Santa
Santa
Alexandria, Private
Favorite
Comment