Very voyeuristic and inherently a naturalistic approach to watching people's intertwined mundane lives. This is much like what im learning in my life right now, in that people can not grasp or understand people's differences and dont know how to communicate in response to that in our modern society. I think the theme could have been executed and explored a little deeper but everything here is top notch filmmaking, and thoroughly enjoyable.

Very voyeuristic and inherently a naturalistic approach to watching people's intertwined mundane lives. This is much like what im learning in my life right now, in that people can not grasp or understand people's differences and dont know how to communicate in response to that in our modern society. I think the theme could have been executed and explored a little deeper but everything here is top notch filmmaking, and thoroughly enjoyable.

Haneke the true pioneer in Hiding messages in anything other than the explicitly told

Haneke the true pioneer in Hiding messages in anything other than the explicitly told

George got a crazy bitch pose

George got a crazy bitch pose

第二次看，仍然覺得是哈內克最被低估的作品，這部沒有71塊碎片那麼極端，剛好作「冰冷」觀點中與社會取得一個平衡點。

71塊碎片是集合多個點指向一個結果，Code Unknown是一個點指向多個結果，分別就是前者肯定了世界的結果長怎樣，但其實不一定，這樣的結果終究只是其中一塊，後者則有更成熟的觀點："Code Unknown - 未知代碼"，就是導演看到世界長這樣，但世界依然繼續運行，問題繼續存在，世界還在走，不一定要答案、真理，這才是人間世，Code Unknown本身就在說一個巴黎眾生相。

然後，還是超級喜歡開場的長鏡頭、地下鐵的長鏡頭、結尾的長鏡頭，百看不厭，簡直是軌道鏡頭教科書。

不過抽離一點看，這片難看到不行，就其實非常難理解，hmmmm 但我就是很喜歡。

第二次看，仍然覺得是哈內克最被低估的作品，這部沒有71塊碎片那麼極端，剛好作「冰冷」觀點中與社會取得一個平衡點。

71塊碎片是集合多個點指向一個結果，Code Unknown是一個點指向多個結果，分別就是前者肯定了世界的結果長怎樣，但其實不一定，這樣的結果終究只是其中一塊，後者則有更成熟的觀點："Code Unknown - 未知代碼"，就是導演看到世界長這樣，但世界依然繼續運行，問題繼續存在，世界還在走，不一定要答案、真理，這才是人間世，Code Unknown本身就在說一個巴黎眾生相。

然後，還是超級喜歡開場的長鏡頭、地下鐵的長鏡頭、結尾的長鏡頭，百看不厭，簡直是軌道鏡頭教科書。

不過抽離一點看，這片難看到不行，就其實非常難理解，hmmmm 但我就是很喜歡。

Global cinema required viewing #2

Global cinema required viewing #2