I had a lot more fun with René Clair’s Le Million than I did with his previous venture Under the Roofs of Paris. Both are technically adept films in their usage of sound as they move the boundaries of musical cinema. But Le Million makes for a far more captivating narrative.
The film creates a brilliant level of tension as the main characters race against time to find a jacket containing a lottery ticket for a million francs. There’s a lot of moving parts in Le Million with a large array of sub-plots that’s interviewen in the main chase.
Impressively enough, despite the film’s short runtime, it never feels overcrowded, and the constant action makes the film fly by. The performances are fun for the most part, but never overtly impressive.
Le Million isn’t a deeply memorable film, but a fun time nonetheless and a remarkable feat when considering the time of its release.
I had a lot more fun with René Clair’s Le Million than I did with his previous venture Under the Roofs of Paris. Both are technically adept films in their usage of sound as they move the boundaries of musical cinema. But Le Million makes for a far more captivating narrative.
The film creates a brilliant level of tension as the main characters race against time to find a jacket containing a lottery ticket for a million francs. There’s a lot of moving parts in Le Million with a large array of sub-plots that’s interviewen in the main chase.
Impressively enough, despite the film’s short runtime, it never feels overcrowded, and the constant action makes the film fly by. The performances are fun for the most part, but never overtly impressive.
Le Million isn’t a deeply memorable film, but a fun time nonetheless and a remarkable feat when considering the time of its release.