Loved it! Najbardziej podobalo mi sie w jaki sposob sceny nagości są pokazane, w żadnym stopniu nie były związane z Taboo. 
Rozklad ciał byl cudownie pokazany i jestem pod ogromnym wrażeniem tych scen!

Loved it! Najbardziej podobalo mi sie w jaki sposob sceny nagości są pokazane, w żadnym stopniu nie były związane z Taboo. 
Rozklad ciał byl cudownie pokazany i jestem pod ogromnym wrażeniem tych scen!

Bush on main! thank god! we need to get freakier! It’s cronenburg x lynch x evolutionary biology featuring many snails and incesty twins. it’s a little emotionally barren though, everything feels detached and maybe not in a good way

Bush on main! thank god! we need to get freakier! It’s cronenburg x lynch x evolutionary biology featuring many snails and incesty twins. it’s a little emotionally barren though, everything feels detached and maybe not in a good way

Holy fuck

Holy fuck

Identical twin zoologists replace mourning with decay. The dark comedy landed really well, and the film perfectly turns grief into procedure until systems eventually consume their creators. The cinematography is stunning, shot by Sacha Vierny in his first collaboration with Greenaway, after working with Buñuel on Belle de Jour and with Resnais on Hiroshima mon amour. Michael Nyman’s score fits perfectly. Also, I love the snails <3. Just brilliant. Greenaway at his best.

Identical twin zoologists replace mourning with decay. The dark comedy landed really well, and the film perfectly turns grief into procedure until systems eventually consume their creators. The cinematography is stunning, shot by Sacha Vierny in his first collaboration with Greenaway, after working with Buñuel on Belle de Jour and with Resnais on Hiroshima mon amour. Michael Nyman’s score fits perfectly. Also, I love the snails <3. Just brilliant. Greenaway at his best.

does wes anderson know he made this movie..

does wes anderson know he made this movie..