Prisoners of the Land backdrop

Prisoners of the Land

1939·Drama·1h 27m
7.1
Argentina, 1915. Accompanied by a doctor and his beautiful daughter, Köhner, a ruthless foreman who rules a yerba mate plantation with an iron fist, arrives in the city of Posadas with the purpose of hiring workers.
Directed by Mario Soffici

Cast

Francisco Petrone
Francisco Petrone
Ángel Magaña
Ángel Magaña
Roberto Fugazot
Roberto Fugazot
Homero Cárpena
Homero Cárpena
Raúl de Lange
Raúl de Lange
Elisa Galvé
Elisa Galvé
Pepito Petray
Pepito Petray
Félix Tortorelli
Félix Tortorelli
Jorge Villoldo
Jorge Villoldo

Crew

Mario Soffici
Mario Soffici
Director
Ulyses Petit de Murat
Ulyses Petit de Murat
Screenplay
Lucio Demare
Lucio Demare
Original Music Composer
Horacio Quiroga
Horacio Quiroga
Short Story
Ulyses Petit de Murat
Ulyses Petit de Murat
Dialogue
Ralph Pappier
Ralph Pappier
Production Design

Popular Reviews

11 reviews
Gabriel Silva
Gabriel Silva
Prisoners of the Land
Prisoners of the Land weaves several short stories into a single narrative to mixed results. A lot of it is a lot more seamless than one would initially assume and that alone is a fantastic feat, but it also helps how beautiful the film is at parts. The way that language is used especially is a nice treat, even if only minimally. The class struggle of the working man underneath wealthy foreigners reminds me a bit of Italian neorealism.

Ultimately, there are tender moments of this film that just make me tear up and the way that the drama ramps up towards the end is rather engrossing, even if the road to get there can be a little bumpy at times
Prisoners of the Land weaves several short stories into a single narrative to mixed results. A lot of it is a lot more seamless than one would initially assume and that alone is a fantastic feat, but it also helps how beautiful the film is at parts. The way that language is used especially is a nice treat, even if only minimally. The class struggle of the working man underneath wealthy foreigners reminds me a bit of Italian neorealism.

Ultimately, there are tender moments of this film that just make me tear up and the way that the drama ramps up towards the end is rather engrossing, even if the road to get there can be a little bumpy at times
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Naza
Naza
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Vince Latta
Prisoners of the Land
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Meerkat
Meerkat
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cerqua
cerqua
Prisoners of the Land
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