

1959·Comedy·2h
7.1
★



An impractical widower tries to hang onto his Miami hotel and his 12-year-old son.
Directed by Frank Capra
miami, florida
widower
single father
greyhound racing
father son relationship

Trailer

IMDB
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Where to Watch



Cast

Frank Sinatra
Tony Manetta

Edward G. Robinson
Mario Manetta

Eleanor Parker
Eloise Rogers

Thelma Ritter
Sophie Manetta

Carolyn Jones
Shirl

Keenan Wynn
Jerry Marks

Dub Taylor
Fred

Joi Lansing
Dorine

Eddie Hodges
Ally Manetta

Connie Sawyer
Miss Wexler

Ruby Dandridge
Sally

James Komack
Julius Manetta
Crew

Frank Capra
Director

Nelson Riddle
Original Music Composer

William H. Daniels
Director of Photography

Frank Capra
Producer

Frank Sinatra
Executive Producer

Edith Head
Costume Design
Popular Reviews
10 reviews
Erik Olsson
7.0★ · 12/18/25

I like the story and the relationship dynamics, and the cast is quite good. But the stage origins are rather apparent, and Capra at this point in his career isn't really skilled enough anymore to make the direction anything interesting. I'd love to read or see the play though.
I like the story and the relationship dynamics, and the cast is quite good. But the stage origins are rather apparent, and Capra at this point in his career isn't really skilled enough anymore to make the direction anything interesting. I'd love to read or see the play though.
martcafe

Niente di che
Niente di che
Gabriel Silva
6.8★ · 05/12/25

Not as good as the other Capra films that I loved - especially during his earlier stuff at Columbia - but the showcasing of Sinatra playing an aging version of the type of roguish character he had been playing up until then, now with child in tow, is indeed entertaining. The father-son dynamic where the child is forced to grow up a bit and be more responsible is tragic, but is a lot more lighthearted here and serves as the crux of the emotional center here. The moments when Capra is able to shift the camera away from a standard diorama film setup are done so for a lot of drama, which is honestly great
Not as good as the other Capra films that I loved - especially during his earlier stuff at Columbia - but the showcasing of Sinatra playing an aging version of the type of roguish character he had been playing up until then, now with child in tow, is indeed entertaining. The father-son dynamic where the child is forced to grow up a bit and be more responsible is tragic, but is a lot more lighthearted here and serves as the crux of the emotional center here. The moments when Capra is able to shift the camera away from a standard diorama film setup are done so for a lot of drama, which is honestly great
asgr_fr
5.0★ · 08/28/24

Daddy Sinatra 😩
Daddy Sinatra 😩
Mackenzie Stevenson
7.0★ · 02/08/24

wait this was so wholesome and sad, I almost cried!
wait this was so wholesome and sad, I almost cried!