Really impressed with Kassovitz here. His followup to La Haine is just as raw and gritty as its predecessor but changes pace to be a slower, more character-driven feature. M. Wagner, Max and Medhi all look at this “craft” differently and the writing for each of them is excellent. 

This reminded me a lot of Man Bites Dog with its exploration into society’s desensitization to violence as well as its use of black comedy, which there is plenty of.

And Pierre Aïm, mon ami, you knocked it out of the park. Again.

Loved this.

Really impressed with Kassovitz here. His followup to La Haine is just as raw and gritty as its predecessor but changes pace to be a slower, more character-driven feature. M. Wagner, Max and Medhi all look at this “craft” differently and the writing for each of them is excellent. 

This reminded me a lot of Man Bites Dog with its exploration into society’s desensitization to violence as well as its use of black comedy, which there is plenty of.

And Pierre Aïm, mon ami, you knocked it out of the park. Again.

Loved this.