Altogether less distinct than the first entry. Gone is the tilted camera, the close-quarters cinematography, the idiosyncratic little character moments and most importantly, gone is the mind-numbing bureaucracy.
But I’ll be damned if it isn’t entertaining watching Caine put in the least amount of effort and make it cool, turning laconicism into an art form.
Altogether less distinct than the first entry. Gone is the tilted camera, the close-quarters cinematography, the idiosyncratic little character moments and most importantly, gone is the mind-numbing bureaucracy.
But I’ll be damned if it isn’t entertaining watching Caine put in the least amount of effort and make it cool, turning laconicism into an art form.