

1992·Music·1h 57m
7.1
★






A Soweto schoolgirl named Sarafina is galvanized to protest apartheid after her teacher is arrested for her activism, leading her to join the student resistance movement.
Directed by Darrell James Roodt
africa
south africa
apartheid
musical
based on play or musical
soweto

Trailer

IMDB
N/A
Where to Watch



Cast

Leleti Khumalo
Sarafina

Whoopi Goldberg
Mary Masembuko

John Kani
School Principal

Miriam Makeba
Angelina

Mary Twala
Sarafina's Grandmother

Dumisani Dlamini
Crocodile

Mbongeni Ngema
Sabela

Tertius Meintjes
Lieutenant Bloem

Robert Whitehead
Interrogator

Greg Latter
Policeman

Nicky Rebelo
Soldier

James Whyle
Soldier
Crew

Darrell James Roodt
Director

Mbongeni Ngema
Screenplay

William Nicholson
Screenplay

Stanley Myers
Original Music Composer

David M. Thompson
Producer

Helena Spring
Executive Producer

Mbongeni Ngema
Theatre Play

Chris Olley
Stunts

Mbongeni Ngema
Choreographer
Popular Reviews
9 reviews
Lucia
6.9★ · 11/03/24

freedom will come
freedom will come
Henry Germ
5.3★ · 11/12/22

Sarafina is a musical telling the events of Apartheid from the perspective of young South African girl. As far as movie musicals go this was missing a lot of the charm and spectacle that we come to expect, but turning this difficult subject into a musical was a bold choice that paid off in other ways. While I don’t think the songs captured the effect I’m looking for in a musical it did feel very authentic to the region and the subject matter which I did appreciate. I think the main reason I couldn’t attach to them was how basic and repetitive the lyrics are. But what did work about Sarafina was the raw emotion and tragic coming of age. The way the music becomes more scarce as the film goes on to symbolize the loss of innocence was a very interesting way to use the genre in a unique way. I don’t think this is a film I could see myself revisiting, but I do appreciate this take on the musical genre and the sheer power in its ending.
Sarafina is a musical telling the events of Apartheid from the perspective of young South African girl. As far as movie musicals go this was missing a lot of the charm and spectacle that we come to expect, but turning this difficult subject into a musical was a bold choice that paid off in other ways. While I don’t think the songs captured the effect I’m looking for in a musical it did feel very authentic to the region and the subject matter which I did appreciate. I think the main reason I couldn’t attach to them was how basic and repetitive the lyrics are. But what did work about Sarafina was the raw emotion and tragic coming of age. The way the music becomes more scarce as the film goes on to symbolize the loss of innocence was a very interesting way to use the genre in a unique way. I don’t think this is a film I could see myself revisiting, but I do appreciate this take on the musical genre and the sheer power in its ending.
Nkanyezi
10.0★ · 06/18/26

thrllr
8.0★ · 06/18/26

Lillie
10.0★ · 05/10/26
