I’m sorry the whole rock throwing escapade at the end killed me

I’m sorry the whole rock throwing escapade at the end killed me

Another solid Fellini film. The cast really great and the story was fun to follow. It was great to watch these scammer guys get caught up in their shit. Loved the ending and the cinematography in this. Now I finally can get onto the classic Fellini films.

Another solid Fellini film. The cast really great and the story was fun to follow. It was great to watch these scammer guys get caught up in their shit. Loved the ending and the cinematography in this. Now I finally can get onto the classic Fellini films.

Perfectly fine movie. Nothing to special about it and certainly not a stand out amongst Fellini's filmography. A while a very average movie isn't Bad, when you're an average movie in Fellini's filmography you're gonna be forgotten about and Honestly don't think too many are missing out by not watching

Perfectly fine movie. Nothing to special about it and certainly not a stand out amongst Fellini's filmography. A while a very average movie isn't Bad, when you're an average movie in Fellini's filmography you're gonna be forgotten about and Honestly don't think too many are missing out by not watching

This feels like a sequel to La Strada if Giulietta Masina actually did run away with the circus performer. About a group of con men who are up to no good. The cons are interesting, sometimes bordering on villainous. It is also about one of the con men trying to reignite his relationship with his daughter. A lot of the familial aspects feel like they influenced Breaking Bad. Especially the ending.

This feels like a sequel to La Strada if Giulietta Masina actually did run away with the circus performer. About a group of con men who are up to no good. The cons are interesting, sometimes bordering on villainous. It is also about one of the con men trying to reignite his relationship with his daughter. A lot of the familial aspects feel like they influenced Breaking Bad. Especially the ending.

Não tão grande quanto seus outros filmes de veia neorrealista, mas ainda é forte (e competente) o suficiente para declarar um tipo de ruína quase universal.

Não tão grande quanto seus outros filmes de veia neorrealista, mas ainda é forte (e competente) o suficiente para declarar um tipo de ruína quase universal.