Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
Directed by Joel Coen
street gang
corruption
prohibition era
gun
gambling debt
gangster
loyalty
irish-american
irish mob
betrayal
organized crime
shootout
drunkenness
angry
aggressive
neo-noir
1920s
clinical
violence
approving
embarrassed
Rank
#9 in 1990·#1273 overall
Trailer
IMDB
N/A
Where to Watch
Cast
Gabriel Byrne
Tom Reagan
Marcia Gay Harden
Verna
John Turturro
Bernie Bernbaum
Jon Polito
Johnny Caspar
J.E. Freeman
Eddie Dane
Albert Finney
Leo
Mike Starr
Frankie
Al Mancini
Tic-Tac
Steve Buscemi
Mink
Richard Woods
Mayor Dale Levander
Olek Krupa
Tad
Michael Jeter
Adolph
Crew
Joel Coen
Director
Joel Coen
Screenplay
Ethan Coen
Screenplay
Carter Burwell
Original Music Composer
Barry Sonnenfeld
Director of Photography
Ethan Coen
Producer
Ben Barenholtz
Executive Producer
Dennis Gassner
Production Design
Donna Isaacson
Casting
Skip Lievsay
Supervising Sound Editor
Lee Dichter
Sound Re-Recording Mixer
Nancy Haigh
Set Decoration
Popular Reviews
642 reviews
Madison Greenlee
8.0★ · 03/08/25
I don’t say this often, and when I do I’m aware it’s for men who have brown curly hair and the emotional range of the blinking light on my extension chord BUT I have to say that if I was a girl in the Irish mob I’d drop everything to be with Tom
I don’t say this often, and when I do I’m aware it’s for men who have brown curly hair and the emotional range of the blinking light on my extension chord BUT I have to say that if I was a girl in the Irish mob I’d drop everything to be with Tom
1
quinnPRO
9.0★ · 06/12/26
"Nothing more foolish than a man chasin' his hat."
A gangster noir wrapped up in a stellar Coens script that never lets up for a single second. A brilliant, soap operatic, irreverent take on struggles for power that ultimately result only in stagnation, despite the massive amounts of effort that are poured into it. Both gang leaders use the same methods, employ the same kind of people, and aim for the same thing. And when it's all said and done, despite the herculean efforts of Tom, we're right back exactly where we started, in our unnamed, unremarkable town, with nothing to show for it. When it all comes down to it, we're all just foolish men, chasing after our dreams of magic hats, thinking our efforts might change something that can really never be changed.
Remarkable performances all around. Gabriel Burne, brilliant. John Tuturro, brilliant. Jon Polito, hilarious and brilliant. The direction is so creative, and welds perfectly with the snappy dialogue. There's just some real magic in every Coen film. Irreplicable.
"Nothing more foolish than a man chasin' his hat."
A gangster noir wrapped up in a stellar Coens script that never lets up for a single second. A brilliant, soap operatic, irreverent take on struggles for power that ultimately result only in stagnation, despite the massive amounts of effort that are poured into it. Both gang leaders use the same methods, employ the same kind of people, and aim for the same thing. And when it's all said and done, despite the herculean efforts of Tom, we're right back exactly where we started, in our unnamed, unremarkable town, with nothing to show for it. When it all comes down to it, we're all just foolish men, chasing after our dreams of magic hats, thinking our efforts might change something that can really never be changed.
Remarkable performances all around. Gabriel Burne, brilliant. John Tuturro, brilliant. Jon Polito, hilarious and brilliant. The direction is so creative, and welds perfectly with the snappy dialogue. There's just some real magic in every Coen film. Irreplicable.
Miller's crossing wanted to be seen as complex and subtle film like the godfather, but they didnt have strong setup. They introduce character and conflicts without clarity. I spent the entire film trying to understand what exactly the core conflicts was.
Miller's crossing wanted to be seen as complex and subtle film like the godfather, but they didnt have strong setup. They introduce character and conflicts without clarity. I spent the entire film trying to understand what exactly the core conflicts was.
phoebe ross
8.0★ · 05/09/26
i like how convoluted this film is its very gripping. Like a better usual suspects
i like how convoluted this film is its very gripping. Like a better usual suspects
Cake Please
8.0★ · 04/29/26
The writing is just gripping. The way the story kept me in a lock made more curious how many twists and turns can there be.
Early Coen bros were something else.
The writing is just gripping. The way the story kept me in a lock made more curious how many twists and turns can there be.