Dogshit

Dogshit

we need to start crucifying the greeks

we need to start crucifying the greeks

Yorgos Lanthimos is so hit or miss with me. This is such a cool concept and if he would’ve gone a way other than sex and incest it would’ve been great. I understand that he was trying to make it uncomfortable but it’s just unwatchable. Same with Poor Things. Why are we making a movie about a women with a child’s brain having sex with old men. STOP TRYING TO NORMALIZE THIS.

Yorgos Lanthimos is so hit or miss with me. This is such a cool concept and if he would’ve gone a way other than sex and incest it would’ve been great. I understand that he was trying to make it uncomfortable but it’s just unwatchable. Same with Poor Things. Why are we making a movie about a women with a child’s brain having sex with old men. STOP TRYING TO NORMALIZE THIS.

I’m sure atleast one of them will turn out to be a Scientist

Salt = phone
Yellow flower = zombie
Private parts = keyboard 
Cat = final boss

I’m sure atleast one of them will turn out to be a Scientist

Salt = phone
Yellow flower = zombie
Private parts = keyboard 
Cat = final boss

I loved this!!!

Seeing as I’ve seen all of his English works I’m now delving into whatever I can get my hands on and normally I expect earlier works to be interesting while lacking or missing some element that they have refined, but here I just saw all of Yorgos’ strengths rolled up into one intimate small story. I understand this is lowly scored but obnoxiously I’m going to say most low scores are from people who think ‘weird’ is a genuine critique and others who think being uncomfortable isn’t allowed a place in stories. I’m curious how I’ll score this film when I watch it again in the future, it may get close to meeting Kinds of Kindness as my favourite of Yorgos’ work.

I loved this!!!

Seeing as I’ve seen all of his English works I’m now delving into whatever I can get my hands on and normally I expect earlier works to be interesting while lacking or missing some element that they have refined, but here I just saw all of Yorgos’ strengths rolled up into one intimate small story. I understand this is lowly scored but obnoxiously I’m going to say most low scores are from people who think ‘weird’ is a genuine critique and others who think being uncomfortable isn’t allowed a place in stories. I’m curious how I’ll score this film when I watch it again in the future, it may get close to meeting Kinds of Kindness as my favourite of Yorgos’ work.