Ma' Rosa

every man for himself and the devil take the hindmost.

i think on that last scene while watching that family close up their moving store and eating kwekwek as the meal for the day, rosa is prolly reminiscing about the fact that its how they started as a family and what they had to do to end up in their current helpless situation. or atleast thats how i interpreted it.

this is a realistic view on how rotten the system is and how the chain remain unbroken.

every man for himself and the devil take the hindmost.

i think on that last scene while watching that family close up their moving store and eating kwekwek as the meal for the day, rosa is prolly reminiscing about the fact that its how they started as a family and what they had to do to end up in their current helpless situation. or atleast thats how i interpreted it.

this is a realistic view on how rotten the system is and how the chain remain unbroken.

Was this film meant to critique the system or was it just another form of poverty porn?

How could someone make a movie that exposes the oppression, corruption and daily cruelty people endure and then openly support the very person who enforces that system? It’s infuriatingand completely ironic.

All my stars go to Miss Jaclyn Jose. She carried the film and her unforgettable performance will always be remembered.

Was this film meant to critique the system or was it just another form of poverty porn?

How could someone make a movie that exposes the oppression, corruption and daily cruelty people endure and then openly support the very person who enforces that system? It’s infuriatingand completely ironic.

All my stars go to Miss Jaclyn Jose. She carried the film and her unforgettable performance will always be remembered.

i loved mendoza's shaky "in-the-moment" no-theatrics docudrama cinematography in Kinatay and i love it all the same here.

I love the dynamic life it gives to the viewer and the way it makes us part of the gritty "underground" life and emotion that has become a horrifying norm that he captures so well.

Jaclyn Jose, likewise, cements that experience with her expressive down-to-earth performance that's made even more so with the implicit writing.

Which makes me fathom how a man, who for the most part has been aware of what happens in the deepest and darkest pockets of Manila, becomes a Dutertard.

i loved mendoza's shaky "in-the-moment" no-theatrics docudrama cinematography in Kinatay and i love it all the same here.

I love the dynamic life it gives to the viewer and the way it makes us part of the gritty "underground" life and emotion that has become a horrifying norm that he captures so well.

Jaclyn Jose, likewise, cements that experience with her expressive down-to-earth performance that's made even more so with the implicit writing.

Which makes me fathom how a man, who for the most part has been aware of what happens in the deepest and darkest pockets of Manila, becomes a Dutertard.

tangina san makakabili ng squid ball na ganon kalaki?

tangina san makakabili ng squid ball na ganon kalaki?