i loved mendoza's shaky "in-the-moment" no-theatrics docudrama cinematography in Kinatay and i love it all the same here.
I love the dynamic life it gives to the viewer and the way it makes us part of the gritty "underground" life and emotion that has become a horrifying norm that he captures so well.
Jaclyn Jose, likewise, cements that experience with her expressive down-to-earth performance that's made even more so with the implicit writing.
Which makes me fathom how a man, who for the most part has been aware of what happens in the deepest and darkest pockets of Manila, becomes a Dutertard.
i loved mendoza's shaky "in-the-moment" no-theatrics docudrama cinematography in Kinatay and i love it all the same here.
I love the dynamic life it gives to the viewer and the way it makes us part of the gritty "underground" life and emotion that has become a horrifying norm that he captures so well.
Jaclyn Jose, likewise, cements that experience with her expressive down-to-earth performance that's made even more so with the implicit writing.
Which makes me fathom how a man, who for the most part has been aware of what happens in the deepest and darkest pockets of Manila, becomes a Dutertard.