Well the acting was overdramatic and the plot's all over the place but it had a lot of interesting visuals ngl, I actually really like the aesthetic of the film like the whole streetscape within that era of Japan, the hairstyles and everything combined with the retro noticable type of violence- the atmosphere was quite well done. The content itself is sorta nonsensical but had a bizzare charm to it that I personally like which is like it's subtle depiction of youth. In particular, in the scene where Shinji and Yoko are gazing out at the Tokyo Bay and talking in a life-sized, natural, ad-libbed manner, scenes like that were very pretty. Well, it is precisely because of the happiness felt by the two in this scene that the more brutal violence is impactful in the later developments. However what really elevates this film to the next level is the sharpness of the final scene, which points to the stark reality that such brutal violence is a normal part of our society, which appears perfectly normal on the surface. I found this final scene many times more effective than any of the splatter scenes, and I felt the power of the direction that continues to capture Tetsuya's "fallen" state over a long period of time, as he was literally a "crawling body" until he got to this point. Although it does have a dated feel to it (not just it's super noticable fake gore) , I think the film manages to narrowly avoid the stigma of being too provocative, thanks to the youthfulness and universal message that emerge from it.
Well the acting was overdramatic and the plot's all over the place but it had a lot of interesting visuals ngl, I actually really like the aesthetic of the film like the whole streetscape within that era of Japan, the hairstyles and everything combined with the retro noticable type of violence- the atmosphere was quite well done. The content itself is sorta nonsensical but had a bizzare charm to it that I personally like which is like it's subtle depiction of youth. In particular, in the scene where Shinji and Yoko are gazing out at the Tokyo Bay and talking in a life-sized, natural, ad-libbed manner, scenes like that were very pretty. Well, it is precisely because of the happiness felt by the two in this scene that the more brutal violence is impactful in the later developments. However what really elevates this film to the next level is the sharpness of the final scene, which points to the stark reality that such brutal violence is a normal part of our society, which appears perfectly normal on the surface. I found this final scene many times more effective than any of the splatter scenes, and I felt the power of the direction that continues to capture Tetsuya's "fallen" state over a long period of time, as he was literally a "crawling body" until he got to this point. Although it does have a dated feel to it (not just it's super noticable fake gore) , I think the film manages to narrowly avoid the stigma of being too provocative, thanks to the youthfulness and universal message that emerge from it.